KORG Speaker System - Manual (Page 120)

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• In Combination and Sequencer modes, the P3:
MIDI Filter settings allow transmission/reception
of control changes to be individually turned on/off
for each timbre/track. For the assignable
controllers ([SW1], [SW2], REALTIME CONTROLS
[1]–[4] knobs, Foot Pedal/Switch), MIDI filter
settings will apply to the control change number to
which each controller is assigned. “Other Control
Change” applies to control changes that are not
covered by the items of the other check boxes (P3:
MIDI Filter) (
☞ p.35, 57 in the Parameter Guide
“MIDI Filter”).
MIDI CC#00–CC#95 can be selected for the B-
mode of REALTIME CONTROLS [1]–[4] knobs.
Selecting program/combination banks
Bank select (CC#00, CC#32)
☞ p.114 “Program Change/Bank Select”
Using the joystick to apply modulation
Modulation 1 depth (CC#01) [Bn, 01, vv]
When you move the TRITON’s joystick in the +Y direc-
tion (away from yourself), Modulation 1 Depth mes-
sages will be transmitted. When these messages are
received, the same effect will be applied as when the
TRITON’s joystick is operated. Normally this will
apply a vibrato effect (pitch LFO).
• In Combination and Sequencer modes,
transmission/reception can be switched on/off for
each timbre/track (P3: MIDI2 tab “Enable JS+Y”).
(
☞ p.35, 57 in the Parameter Guide “MIDI Filter”)
Modulation 2 depth (CC#02) [Bn, 02, vv]
When you move the TRITON’s joystick in the –Y direc-
tion (toward yourself), Modulation 2 Depth messages
will be transmitted. When these messages are received,
the same effect will be applied as when the TRITON’s
joystick is operated. Normally this will apply a wah
effect (filter LFO).
• In Combination and Sequencer modes,
transmission/reception can be switched on/off for
each timbre/track (P3: MIDI2 tab “Enable JS-Y”).
(
☞ p.35, 57 in the Parameter Guide “MIDI Filter”)
Other manufacturers use this message for other
purposes (e.g., breath controller, etc.)
Controlling the portamento effect
Portamento time (CC#05) [Bn, 05, vv]
When the above CC# is assigned as a B-mode function
for one of the REALTIME CONTROLS [1]–[4] knobs,
rotating that knob will transmit Portamento Time mes-
sages, and will modify the speed at which the porta-
mento pitch changes. When this message is received,
the result will be the same as when the controller is
operated.
Portamento switch (CC#65) [Bn, 41, vv]
When the above CC# is assigned to [SW1], [SW2] or
the ASSIGNABLE SWITCH, operating that switch will
transmit vv=127 [7F] for ON or vv=0 [00] for OFF, and
the portamento effect will be switched on/off. When
this message is received, the result will be the same as
when the controller is operated. (vv of 63 [3F] or less
will be OFF, and 64 [40] or greater will be ON.) (
☞ p.217
in the Parameter Guide “SW1, SW2 Assign List”)
• In Combination and Sequencer modes,
transmission/reception of this message can be
turned on/off independently for each timbre/track
(P3: MIDI1 tab “Enable Portamento SW”). (
☞ p. 35
and 58 in the Parameter Guide.)
• In Sequencer mode, portamento time/switch
messages will be transmitted by each track whose
“Status” is BTH, EXT, or EX2 when you set
“Portamento” (P2: OSC tab), re-select a song or
SMF, or return to the beginning of a measure.
(
☞ p.55 in the Parameter Guide “Portamento”-
”MIDI”)
Controlling the volume
Volume (CC#07) [Bn, 07, vv]
When the above CC# is assigned to the ASSIGNABLE
PEDAL or as the B-mode function of a REALTIME
CONTROL knob [1]–[4], operating that controller will
transmit Volume messages, and the volume will
change. When this message is received, the result will
be the same as when the controller is operated.
Expression (CC#11) [Bn, 0B, vv]
When the above CC# is assigned to the ASSIGNABLE
PEDAL or as the B-mode function of a REALTIME
CONTROL knob [1]–[4], operating that controller will
transmit Expression messages, and the volume will
change. When this message is received, the result will
be the same as when the controller is operated.
The volume of the TRITON is determined by multiply-
ing the value of the Volume message with the value of
the Expression message.
If adjusting the Volume message does not increase the
volume as you expect, or if there is no sound, transmit
MIDI messages from an external device to reset the
value of the Expression message (set vv to 127). In
Sequencer mode, this will be reset when the “Loca-
tion” of the song is moved to 001:01.000.
• In Combination mode, Volume messages will be
transmitted by each timbre whose “Status” is EXT
or EX2 when you re-select the combination.
• When you change the “Volume” setting (P0: Mixer
tab) in Sequencer mode or Song Play mode, or
when you re-select the song or return to the
beginning of the song in Sequencer mode, volume
messages will be transmitted by each track whose
“Status” is BTH, EXT, or EX2.
Regardless of the “Status” settings, re-selecting a
song, or returning to the beginning will reset the
internal Volume value to the value specified by
each track (the starting settings), and will reset the
Expression value to the maximum.
You can control the volume independently for
each track. You will normally use Volume mes-
sages to set the initial volume level for each track
(the starting settings), and use Expression mes-