KORG Speaker System - Manual (Page 19)

15
Introduction
Connections
Connections must be made with the power turned
off. Please be aware that careless operation may
damage your speaker system or cause malfunc-
tions.
● Connect the included power cable to the AC power
supply inlet of the TRITON, and then connect the
other end of the cable to an AC outlet.
Connect a set of amplified monitor speakers or your
audio system to output the TRITON’s sound.
If you playback the TRITON through your stereo
audio system, be aware that high volumes may
damage your speakers. Be careful not to raise the
volume excessively.
● Connect the AUDIO OUTPUT (MAIN) L/MONO
and R jacks to the INPUT jacks of your powered
monitor system, etc.
L/MONO and R are the main outputs. If you are
outputting in stereo, make connections to the
(MAIN) L/MONO jack and the R jack. If you are
outputting in monaural, make connections to the
(MAIN) L/MONO jack. We recommend that you
playback in stereo if possible.
● If you wish to output from the AUDIO OUTPUT
(INDIVIDUAL) 1, 2, 3, 4 jacks, connect these jacks
to your mixer, and then connect the mixer output
to the INPUT of your powered monitor system etc.
For details on the output of each jack ( ☞ p.107–
“Routing”).
When sampling in Sampling mode, or when you wish
to apply the TRITON’s effects to an external audio
source in Program, Combination, Sequencer, or Song
1. Connecting the power cable
2. Connecting audio output
devices
3. Connecting audio input
devices
Headphones
CD player, analog record
player, etc.
AC power supply inlet
to an AC outlet
Power cable (included)
Power switch 1
2 4 5 6
7
3
Guitar Mic
Powered monitors, etc.
INPUT
INPUT
OUTPUT
PHONES
Headphones
PHONES
MIC 1
BAL
OR UNBAL LINE IN 1 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
LINE IN 7-8
L
R
BAL
OR UNBAL
MONO
+4
-10 LEVEL LINE IN 9-10
L
R
BAL
OR UNBAL
MONO
+4
-10 LEVEL LINE IN 11-12
L
R
BAL
OR UNBAL
MONO
+4
-10 LEVEL LINE IN 13-14
L
R
BAL
OR UNBAL
MONO
+4
-10 LEVEL
STEREO AUX RETURNS 1
2
1
2
AUX SEND
LEFT(1/MONO) RIGHT ALL BAL/UNBAL
L
R
TAPE
INPUT TAPE OUTPUT MAIN OUTS L
R
BAL/UNBAL
PHONES
MICRO SERIES 1402-VLZ 14-CHANNEL MIC/LINE MIXER
MIC 2
BAL
OR UNBAL LINE IN 2 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
MIC 3
BAL
OR UNBAL LINE IN 3 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
MIC 4
BAL
OR UNBAL LINE IN 4 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
MIC 5
BAL
OR UNBAL LINE IN 5 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
MIC 6
BAL
OR UNBAL LINE IN 6 LOW CUT 75Hz 18dB/OCT
TRIM +10dB -40dB 10 60 U -10dBV
MI C GAIN
60
U
15 U
15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
1 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
15 U
15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
2 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
15 U
15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
3 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
15 U
15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
4 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
15 U
15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
5 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
15 U
15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
6 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
15 U
15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
7–8
MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
15 U
15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
9–10
MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
15 U
15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
11–12 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
U
15 U
15
AUX 1 MON/
EFX
2 EFX
U
+15 U
+12
-15
-12 U
+15 -15 PAN
SOLO
13–14 MUTE
A LT 3 – 4
EQ HI 12kHz
MID 2.5kHz
LOW
80Hz
L R
dB
10
5 U 5 10 20 30 40
50 60
dB
10
5 U 5 10 20 30 40
50 60
dB
10
5 U 5 10 20 30 40
50
U
10
U
20 U
20
1
2 AUX 1 MASTER PRE
POST NORMALLED
AUX 1
SELECT EFX TO MONITOR AUX RETURNS SOURCE MAIN
MIX LEFT RIGHT CLIP +28 +10 +7 +4 +2 0 -2 -4 -7 -10 -20 -30 0dB=0dBu
RUDE SOLO LIGHT
ALT
3-4
TAPE
ASSIGN TO MAIN MIX NORMAL(AFL)
LEVEL SET(PFL) SOLO
MODE
PHANTOM POWER CONTROL ROOM / PHONES MAIN MIX
Effect processor etc.
If you connect a guitar with passive
pickups (i.e., a guitar which does
not contain a preamp), it will not be
possible to sample at an
appropriate level due to the
impedance mismatch. Please route
the guitar signal through a preamp
or an effect processor.
Connections