KORG Speaker System - Manual (Page 60)

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Other tab
Delay [ms]
Specify the timing of the delay before each timbre
sounds.
Select the preset combination A127: One Fin-
gerTVShow
, and play a single note. Timbres will
sound consecutively, according to their Delay setting.
If you select KeyOff for this parameter, the timbre will
sound when the note is released.
P3: Edit-MIDI Filter
MIDI filter settings
For each MIDI Filter item, you can specify whether or
not the corresponding MIDI message will be transmit-
ted and received. The checked items will be transmit-
ted and received.
For example, suppose that you have a split combina-
tion in which timbre 1 uses a bass program and timbre
2 uses a piano program.
You could uncheck “Enable Damper” for timbre 1, and
check
“Enable Damper” for timbre 2.
With these settings, pressing a damper pedal con-
nected to the [DAMPER] jack would apply the damper
effect only to the piano program of timbre 2.
For details on each MIDI filter item, refer to p.35 in the
Parameter Guide.
The MIDI Filter settings do not switch the corre-
sponding function on/off, but merely specify
whether or not that MIDI message is transmitted
and received. For example if portamento is on,
portamento will be applied to the sound of the
TRITON even if the “Enable Portamento SW” is
unchecked.
P4: Edit-Zone/Ctrl
Layer, split, and velocity switch set-
tings
You can make most of the settings necessary for creat-
ing layers, splits, velocity switches, keyboard cross-
fades, and velocity crossfades.
Key Zone tab (key zone settings)
For each timbre, you can specify the range of notes for
which it will sound. Each area that sounds a timbre is
referred to as a Key Zone. By setting key zones, you
can create a combination in which different programs
sound in different areas of the keyboard.
By combining key zones specified for each timbre, you
can create layered or split combinations.
The upper and lower limits for the key zone of each
timbre are set by the “Top Key” and “Bottom Key”
respectively. For example in the following diagram,
timbres 1–3 are set to create a layered and split combi-
nation. This is specified by the key zone settings.
Timbres 2 and 3 create a layer. Timbre 1 and timbres 2/
3 are split between the B3 and C4 note numbers.
1 To create a combination like the one shown above,
first use the P0: Play or P1: Edit-program/Mixer
page to select a program for each timbre 1–3.
Select a piano program for timbre 1.
Select a brass program for timbre 2.
Select a strings program for timbre 3.
2 In P2: Edit-Trk Param, select the MIDI Channel
tab. Set each timbre you wish to use to a “Status”
of INT, and a “MIDI Channel” of Gch or the global
MIDI channel. (“G” will be displayed following
the channel number.)
3 In P4: Edit-Zone/Ctrl Key Zone tab, set the “Top
Key” and “Bottom Key.”
Set timbre 1 to a “Top Key” of G9 and a “Bottom
Key” of C4. Set timbres 2 and 3 to a “Top Key” of B3
and a “Bottom Key” of C–1.
You can also input the value by holding down the
[ENTER] key and playing a note.
As an option, you could specify the range velocities,
so that a portion of timbre 1 overlapped with tim-
bres 2 and 3 (creating a layer), and setting “Top
Slope” and “Bottom Slope” so that the volume
would change gradually between B3 and B4. This
would avoid an abrupt change in sound between
the two keyboard areas.
Piano Timbre 1
Brass Timbre 2
Strings Timbre 3
C–1 C4 G9 B3