KORG Speaker System - Manual (Page 72)

68
Copying combination sounds to multiple tracks
You can copy a combination sound to multiple tracks
to record it.
For the copy procedure, refer to “Copy From Combina-
tion” (
☞ p.48) in the Parameter Guide.
If you wish to use the arpeggiator settings of a
copied combination and record the arpeggiator
performance in realtime, use “Track Select” to
choose a track that uses the global MIDI channel.
When you play the keyboard, it will sound in the
same way as for the combination. When you per-
form multitrack recording, the multiple channels
that are sounded by the arpeggiator will be
recorded in the same way.
However, in the case of multi-track recording
when multiple tracks are set to the same MIDI
channel, this musical data will be combined.
Quantize
The TRITON provides a realtime quantize “Reso”
(resolution) setting (see step 8,
☞ p.64) that lets you
correct the timing of musical data as it is being
recorded, and a “Quantize” function (a P5: Track Edit
page menu command) that lets you correct the timing
of musical data that has already been input.
For example, suppose that during realtime recording
you intended to play eighth notes, but that the rhythm
was slightly inaccurate, as shown in figure 1 below. In
such cases, you could set “Reso” (resolution) to , so
that when you realtime-record, the notes will automat-
ically be adjusted to the correct timing as shown in fig-
ure 2.
Alternatively, if data that was recorded without using
realtime quantize plays back as shown in figure 1, you
could select the P5: Track Edit page menu command
“Quantize,” set its “Resolution” parameter to , and
press the OK button to correct the timing as shown in
figure 2.
Realtime recording to a pattern
Before you begin recording a pattern, turn off the
protect setting in Global mode (
☞ p.37).
When realtime-recording a pattern, a pattern of the
specified number of measures will playback repeat-
edly, allowing you to continue adding musical data to
it.
1 In Sequencer mode P6: Pattern/RPPR, select the
Pattern Edit tab.
2 Use “Track Select” to select the track.
The pattern will sound with the program and set-
tings of that track.
3 In “Pattern,” select the user pattern number U00–
U99 that you wish to record.
4 If necessary, set “Metronome” and “Reso” (resolu-
tion).
5 Select the “Pattern Parameter” page menu com-
mand.
A dialog box will appear.
6 In “Length,” specify the length of the pattern. In
“Meter,” specify the time signature.
7 Press the OK button.
This completes preparations for recording.
8 Press the [REC/WRITE] key, and then press the
[START/STOP] key.
Pattern recording will begin. Play the keyboard and
operate the joystick or other controllers to record
your performance.
If arpeggiator A or B is assigned to the track selected
in “Track Select” and the arpeggiator is running, the
performance of the arpeggiator will be recorded in
the pattern. For details on arpeggiator settings
(
☞ p.98, ☞ p.105). ( ☞ p.73 in the Parameter Guide)
Track Select
Metronome