Connections – KORG M3 User Manual

Page 34

Advertising
background image

Setup

26

Connections

Connections must be made with the power turned
off. Please be aware that careless operation may
damage your speaker system or cause
malfunctions.

You can tilt the M3-M (sound module) upward for
use if desired. For the procedure, refer to the
included manual.

The following illustration is an example of
connections. Be sure you use the correct type of cable
for each connection.

Connecting the power cable

Power cable (Included)

Power switch

PHONES

MIC

1

BAL
OR
UNBAL

LINE IN 1

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

LINE IN 7-8

L

R

BAL

OR

UNBAL

MONO

+4

-10

LEVEL

LINE IN 9-10

L

R

BAL

OR

UNBAL

MONO

+4

-10

LEVEL

LINE IN 11-12

L

R

BAL

OR

UNBAL

MONO

+4

-10

LEVEL

LINE IN 13-14

L

R

BAL

OR

UNBAL

MONO

+4

-10

LEVEL

STEREO AUX RETURNS

1

2

1

2

AUX SEND

LEFT(1/MONO)

RIGHT

ALL BAL/UNBAL

L

R

TAPE
INPUT

TAPE

OUTPUT

MAIN OUTS

L

R

BAL/UNBAL

PHONES

MIC

2

BAL
OR
UNBAL

LINE IN 2

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

MIC

3

BAL
OR
UNBAL

LINE IN 3

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

MIC

4

BAL
OR
UNBAL

LINE IN 4

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

MIC

5

BAL
OR
UNBAL

LINE IN 5

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

MIC

6

BAL
OR
UNBAL

LINE IN 6

LOW CUT

75Hz

18dB/OCT

TRIM

+10dB -40dB

10

60

U

-10dBV
MI

C GAIN

60

U

+15

U

+15

AUX

1

MON/

EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

1

MUTE
A LT 3 – 4

EQ
HI
12kHz

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40

50

60

U

+15

U

+15

AUX

1

MON/

EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

2

MUTE
A LT 3 – 4

EQ
HI
12kHz

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40

50

60

U

+15

U

+15

AUX

1

MON/

EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

3

MUTE
A LT 3 – 4

EQ
HI
12kHz

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40

50

60

U

+15

U

+15

AUX

1

MON/

EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

4

MUTE
A LT 3 – 4

EQ
HI
12kHz

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40

50

60

U

+15

U

+15

AUX

1

MON/

EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

5

MUTE
A LT 3 – 4

EQ
HI
12kHz

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40

50

60

U

+15

U

+15

AUX

1

MON/

EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

6

MUTE
A LT 3 – 4

EQ
HI
12kHz

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40

50

60

U

+15

U

+15

AUX

1

MON/

EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

7–8

MUTE
A LT 3 – 4

EQ
HI
12kHz

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40

50

60

U

+15

U

+15

AUX

1

MON/

EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

9–10

MUTE
A LT 3 – 4

EQ
HI
12kHz

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40

50

60

U

+15

U

+15

AUX

1

MON/

EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

11–12

MUTE
A LT 3 – 4

EQ
HI
12kHz

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40

50

60

U

+15

U

+15

AUX

1

MON/

EFX

2

EFX

U

+15

U

+12

-15

-12

U

+15

-15

PAN

SOLO

13–14

MUTE
A LT 3 – 4

EQ
HI
12kHz

MID

2.5kHz

LOW
80Hz

L

R

dB
10

5

U

5

10

20

30

40

50

60

dB
10

5

U

5

10

20

30

40

50

60

dB
10

5

U

5

10

20

30

40

50

U

+10

U

+20

U

+20

1

2

AUX 1 MASTER

PRE

POST

NORMALLED

AUX 1

SELECT

EFX TO

MONITOR

AUX

RETURNS

SOURCE

MAIN

MIX

LEFT

RIGHT

CLIP

+28

+10

+7

+4

+2

0

-2

-4

-7

-10

-20

-30

0dB=0dBu

RUDE SOLO LIGHT

ALT

3-4

TAPE

ASSIGN

TO MAIN MIX

NORMAL(AFL)
LEVEL SET(PFL)

SOLO

MODE

PHANTOM

POWER

CONTROL

ROOM / PHONES

MAIN MIX

INPUT

(MAIN)
R

L/MONO

INPUT

Monitor
OUTPUT

AUDIO OUTPUT

(INDIVIDUAL)

4 3 2 1

Analog audio output

Mixer

Powered
monitors,
etc.

DIGITAL OUT

S/P DIF
OUT IN

Digital audio input/output

USB device connections

USB A

USB B

USB cable

CD-R/RW, hard disk,
removable disks etc.

Option
EXB-FW

FireWire
(IEEE 1394)

USB

Analog audio input

If a passive type guitar (a
guitar without an internal
preamp) is connected, it
will not be possible to
sample at an appropriate
level due to the
impedance mismatch.
Such instruments must be
connected via a preamp or
effect unit.

Synthesizer

Mic

Guitar

Effect unit

AC power supply

Pedal connections etc.

DAMPER

PEDAL

SWITCH

ASSIGNABLE

to an AC outlet

Connections to computers

MIDI IN

MIDI
IN

MIDI
OUT

MIDI OUT

MIDI cable

Computer

Installing options

Option EXB-FW etc.

Digital recorder etc.

Connections to MIDI equipment

Advertising