Apple Final Cut Pro 6 - Manual (Page 1398)

Chapter 27 Color Correction 613
III
Using Color for Color Correction
To work on your project in a dedicated color correction environment, you can send
your sequence to Color using the Send to Color command or by exporting your
sequence to the Final Cut Pro XML Interchange Format.
The basic steps in the Color workflow are:
Step 1: Prepare your sequence for working in Color
There are a couple of steps you can take to prepare your edited sequence to work in
Color more efficiently. To be safe, make a copy of your sequence before making any of
these changes.
 To simplify navigation and correction in Color, move all clips that are superimposed
for editing purposes to track V1. This does not apply to clips that are superimposed to
create a composited effect; those clips should be left alone.
 To ensure optimal performance when working in Color, it’s also a good idea to
break long sequences (such as those for feature-length projects) into approximately
22-minute reels (the length is arbitrary, but 22 minutes is the standard length of a
film reel). Each reel should begin and end at a good cut point.
Step 2: Prepare your media for working in Color
Once you’ve prepared your sequence, you should also prepare your project’s media.
 If you’re handing your project off to someone at another facility, you may want to
take the opportunity to process your sequence using the Media Manager to trim
your media to only what’s necessary for the finished sequence.
 For the best results, you should also recapture all offline-quality media at its native
online resolution.
 Lastly, if you want to use Color to correct clips such as generators, still images,
imported LiveType projects, or imported Motion projects, you should export them
as self-contained QuickTime files and use these to replace the original clips in your
sequence. If you don’t need to work on them in Color, you can leave these clips
alone. These effects clips will simply be ignored when you send the sequence to
Color, and they will reappear when you send the project back to Final Cut Pro.