Apple Final Cut Pro 6 User Manual

Page 2025

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542

Index

moving clips between II-191
music III-185
names II-304
number of I-125
offsets II-143
pasting clips onto II-196–II-199
QuickTime files IV-229, IV-231
resizing in Timeline II-131–II-132
ripple edits on multiple tracks II-332
scrolling through I-139
scrolling vertically through II-133–II-135
selecting II-174, II-180–II-182, II-185–II-188
selecting all clips on II-180
selecting for capture I-263–I-265
selecting items forward or backward II-181
selection tools II-180–II-182
separation II-143
in sequences II-85
sound effects III-185
switching angles II-274
timecode tracks II-443, II-447, IV-200
vertical height I-125
video. See video tracks
voiceover tracks III-185
working with regions I-139, II-133–II-135

Track Size option I-125
Tracks property IV-42
track strips IV-476

hiding III-78
Track Strips area III-70, III-72

Track Visibility area III-70, III-71, III-80
Track Visibility control I-115, II-130, III-71, III-80,
III-189, III-197, IV-476
trailers

adding IV-207
black trailers IV-207
elements IV-205
options IV-207

Trailer setting IV-207
transcoding

avoiding IV-233
OfflineRT format and IV-62

transferring items. See copying, importing items
transferring projects

email or Internet IV-66
multiple workstations IV-17

transition codes IV-151–IV-152
Transition Editor II-395–II-407, IV-476

controls II-396–II-402
displaying clips in II-402
opening transitions in II-403

transitions I-92

After Effects transitions II-393
alignment II-374, II-384
applying II-373–II-378, II-403

audio transitions II-305
copying II-381, II-403
creating favorites III-333–III-336
custom settings II-402
default transitions II-376–II-377, II-386, II-402
deleting from sequences II-382
described II-371, IV-476
displaying II-373, II-405
duplicate frames and II-388
duration II-382–II-383, II-405
editing clips after applying II-384
EDL export transition codes IV-151–IV-152
EDLs and II-380, IV-136, IV-144, IV-148
fade-to-black transitions II-379
favorites II-386, II-387
handles and II-374
identifying as real-time effects III-620
included with Final Cut Pro II-389–II-393
insert with transition edits II-151–II-152, II-375
modifying II-382–II-384, II-395–II-407
moving II-380, II-406
names II-387
online editing and IV-65
opening II-396, II-403
overwrite with transition edits II-154–II-155, II-375
previewing II-409
properties II-402
rendering II-408–II-409, III-645, III-676
replacing II-385
reversing direction II-401
ripple edits II-407
roll edits II-406
in sequences II-371–II-380
settings II-402
Start/End percentages slider II-399–II-401
swapping II-385
Transition Editor II-396, II-403
trimming II-404–II-407
types noted in EDLs IV-132
V2 tracks and IV-148
wipe codes IV-151
Y´CbCr color space and IV-29

transparency

clip backgrounds I-86
effects III-390–III-418
masks III-423
overlays I-126

transport controls II-361, II-368, III-107, IV-204,
IV-213

in Canvas I-79, I-91, I-94
in Log and Capture window I-241
in Viewer I-76, I-79, I-94

Trash, emptying IV-75
trashing Preferences file IV-316, IV-334
travel mattes III-406

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