Apple Final Cut Pro 6 User Manual
Page 2028
Index
545
See also progressive video scanning
playback IV-442
problems with IV-439–IV-440
quality of I-178
QuickTime-compatible IV-245–IV-247
QuickTime settings IV-249–IV-254, IV-341–IV-343
split edits II-232
standards I-23
stuttering IV-442
superimposed video III-418
syncing with audio. See audio-video sync
tape formats I-22–I-25
timecode I-110
tracks. See video tracks
uncompressed I-208, IV-233
video artifacts. See artifacts
“Video card not supported for RT Effects”
message IV-439
video cards II-90
analog-to-digital I-179
analog-to-digital capture I-219
capture presets and IV-339
connecting I-176
connecting analog equipment to I-182–I-184
effect handling settings IV-322
external video monitors I-219
for capturing IV-340
gamma correction III-669
play through IV-340
third-party IV-188, IV-339, IV-398
video interface cards I-176
videocassette recorders. See VCRs, video decks
video clips
adding to sequences II-91, II-94
affiliate clips. See affiliate clips
alpha channels III-410, III-411
analyzing IV-122–IV-125
anamorphic media and IV-431–IV-432
animation. See animation
applying multiple filters III-222
arranging in storyboard II-97–II-98, II-138–II-139
automatic filenaming I-283
backtiming II-109, II-165, II-168–II-169
basics III-507–III-553
batch capturing I-272–I-279
batch exporting IV-291–IV-299
batch lists I-309, I-310
boundaries II-211
capturing I-236–I-238
changing settings after logging I-265
clip names I-249, I-251, I-259–I-261, I-273
color-coding II-206
color correction. See color correction
compared to media files IV-15
compression markers and IV-275
conflicting properties IV-52
connections to media files IV-72
copying I-57
copying and pasting II-196–II-199
copying and pasting attributes III-231–III-232,
III-327–III-330
copying portions of IV-112
copying to other sequences II-411, II-412–II-415
currently selected II-172
cutting II-207–II-209
deleting I-58
described I-28, II-78
deselecting II-178
displaying in Transition Editor II-402
dragging to Timeline II-127, II-137–II-143
duplicate frames I-132
duplicate names I-273
duration II-104, II-211, II-351, II-407
DV video and fuzziness IV-442
editing into sequences II-165–II-166
editing multiple clips II-138–II-139
in EDLs IV-130, IV-135
exporting audio from IV-235
exporting to QuickTime IV-236
filenames I-251, I-273
filters. See video filters
frame rates I-278
freeze frames III-366
ganging playhead II-436
generator clips I-74
handles I-258, I-276, II-99, II-374
head clips IV-458
heads and tails II-374
hiding portions of III-405
In and Out points I-82, I-97, I-242, I-257, II-96,
II-99–II-104, II-112, II-113, II-165, II-165–II-170
incoming and outgoing II-342, II-358, II-363,
II-364, II-398
independent clips I-319
independent clips. See independent clips
jogging through I-104
keyboard shortcuts III-554
keyframes I-82, I-97
labels I-121, I-141, II-23–II-26
linked I-121
linked clip items II-142
linked clips II-176, II-214, II-218
links to source media IV-74–IV-76
logging I-236–I-238, I-247, I-259–I-261, I-266–
I-267, IV-146
looping playback I-105
managing. See media management
manipulating in Canvas III-274–III-275
markers I-82, I-97, I-262, II-54, II-57, II-59
marking while logging I-262–I-263