Apple Final Cut Pro 6 User Manual
Page 1980
Index
497
Composite property IV-38
Composite recording method IV-388
Composite video
capture interfaces I-186
inputs I-200
outputs I-219
Composite video signals I-178, IV-379, IV-452
compositing IV-452
Chroma Keyer filter and III-427
composite modes III-387, III-393–III-406
described III-387
examples III-263–III-273
Photoshop files and III-407
strategies III-387–III-392
using external editing applications III-407
Y´CbCr/RGB color space and III-664
compositing modes
Add III-397
Lighten III-404
Normal III-397
Overlay III-401
Screen III-400
Compound Arithmetic filter III-242
compressed high definition tape formats IV-400
compression
artifacts IV-275
audio III-190, IV-257
audio filters III-157
audio mixing III-26
batch IV-448
capture presets IV-343, IV-344
capturing process IV-341
described IV-452
keying quality and III-424
overview IV-391–IV-393
quality and IV-232, IV-233
QuickTime movies I-330
QuickTime settings IV-250, IV-364
sound waves and III-17
spatial IV-252
temporal IV-251
third-party IV-238
video tracks IV-266
compression markers II-55, II-60, II-62, IV-243, IV-269,
IV-273, IV-275
compression settings II-90
Compression tab IV-344
Compressor II-60
Compressor/Limiter filter III-158
Compressor application IV-275, IV-279–IV-284
Compressor option IV-341
Compressor property IV-38, IV-46
compressors. See codecs
computers
Digital Cinema Desktop Preview feature I-226–
I-228
condenser microphones III-138
confirming log information I-261
conflicting clip properties IV-52
connections, checking I-231
connectors I-192–I-193
BNC connector I-178
BNC connectors I-179
FireWire technology and I-169, I-180
Genlock connectors I-179
HD-SDI connectors I-181
PCI cards I-176
RCA connectors I-178
SCART connectors I-179
SDI connectors I-180
S-Video connectors I-178
USB-to-serial adapters I-182
video equipment I-175–I-182, I-182–I-187
constant speed settings III-341, III-344
consumer devices
audio capacity I-323
audio devices I-199
connecting I-186
stereo systems I-221
consumer equipment
audio quality III-31
compared to professional I-196
television sets III-553
content of clips, copying III-328
contextual menus. See shortcut menus
contiguous clips II-178
contrast III-542, IV-452
adjusting III-572, III-581
filters III-245
in Histogram III-518
Contrast slider III-538
Controls tab I-79
control surfaces
Audio Mixer and III-106–III-109
connecting III-100
deleting III-103
described III-100
fader banks III-105
installing III-101
modifying configuration III-103
multiple control surfaces III-105
transport controls III-107
Control Surfaces Configuration dialog III-101, III-102
control tooltips. See tooltips
control tracks IV-200
conversation scenes II-232
converting sample rates I-323
Copy command I-57, II-414
Copy Filter controls III-564–III-569