Apple Final Cut Pro 6 - Manual (Page 796)

Contents 11
468 Modifying QuickTime Source Files
468 Transferring SmoothCam Motion Analysis Data to Motion
469 Improving SmoothCam Filter Results and Troubleshooting
469 Making Sure Clips Are Analyzed
469 Improving SmoothCam Filter Results
Chapter 23 471 Creating Titles
471 How You Can Use Titles in Your Project
472 Installing and Choosing Fonts
473 Making Sure Titles Fit on TV Screens
474 Text Generators Available in Final Cut Pro
476 Creating and Adding a Title Clip
480 Other Options for Creating and Adding Titles
480 Using LiveType to Create Titles for Your Project
Chapter 24 483 Working with Motion and Shake
483 Using Motion with Final Cut Pro
484 Importing a Motion Project into Final Cut Pro
484 Making Changes to a Motion Clip in Final Cut Pro
485 Restrictions When Working with Motion Clips in Final Cut Pro
485 Sending Final Cut Pro Clips and Sequences to Motion
488 Rendering Motion Projects for Use in Final Cut Pro
488 Using Shake with Final Cut Pro
489 Sending Clips from Final Cut Pro to a Shake Script
490 How Imported Clips Are Arranged in Shake
491 Sending Media from Shake Back to Final Cut Pro
Chapter 25 493 Working with Master Templates
493 About Motion Template Files and Master Templates
495 Working with Master Templates
499 Modifying Master Templates
502 Converting a Template Clip to a Motion Project
503 Installing Motion Template Files for Use in Final Cut Pro
503 Creating Master Templates in Motion
Part III Color Correction and Video Quality Control
Chapter 26 507 Measuring and Setting Video Levels
507 Components of Video Color
507 RGB Color Model
508 Y´C
B
C
R
Color Model
512 Measuring Video Levels with the Final Cut Pro Video Scopes
512 Opening Video Scopes Tabs