Apple Final Cut Pro 6 User Manual
Page 1965
482
Index
AES/EBU digital audio channels I-198
affiliate clips I-57
copied clips and II-415
creating IV-47, IV-50
described II-78, IV-33
locating masters IV-49
master clips and IV-15
match frame commands II-283
Media Manager and IV-101
multiclips and II-281–II-282
properties II-84, IV-47
sequence clips and II-430–II-433
Source property IV-48
subclips and II-38
updating older projects and IV-27
After Effects filters III-240, IV-29
After Effects transitions II-393
AGP graphics cards I-226
AIFC format I-315, IV-235
.aif extension IV-296
AIFF files III-185–III-194
audio file formats I-315, IV-235
described IV-446
edit points and III-185
exporting IV-59, IV-247
exporting audio tracks as III-185–III-194
exporting multiple files III-193
as Macintosh format III-189
as QuickTime-compatible IV-228
uncompressed AIFF IV-272
alert messages
“Break in the Timecode” IV-441
changing transition durations II-383
“Clip Collision” message II-193, II-334, II-351,
II-356
during EDL export IV-134
“Insufficient content for edit” message II-110,
II-157, II-355
“Media Limit” message II-355
“Media Offline” IV-74
“No shortcut” IV-297
“Servo Can’t Lock” IV-441
“Video card not supported for RT Effects” IV-439
alert sounds, muting III-52
aligning text III-478
aligning transitions II-374, II-384
alignment IV-447
All Frames option, for external video I-225
All Items in Logging Bin option I-275
Alpha+RGB mode I-86, III-416
alpha channels I-86, I-328
black III-413
changing types of III-413, III-414
described IV-446
editing clips with III-411
exchanging media and III-414
in graphics III-376
image formats IV-234
keying filters and III-423
masks and III-423, III-443
mattes and III-423, III-440
premultiplied black III-413
QuickTime movie files and III-410
reversing III-412, III-414
straight III-412
uncompressed movies IV-233
using graphics and video clips with III-410–III-418
video codecs and IV-233, IV-234
viewing in Viewer III-415–III-416
white III-413
Alpha Compositor transition (Channel
Compositor) II-390
Alpha mode III-415
Alpha property IV-37, IV-46
Alpha Type menu III-413, III-414
Alternate Take label II-206
ambience II-287, IV-447
ambience tracks III-185
amplified speakers III-53
amplifiers III-54
amplitude
described III-18
measuring III-22
analog audio
capturing I-188
connecting equipment I-199
levels I-303
analog audio meters III-58
analog Composite video output IV-188
analog devices
data rates IV-343
FireWire and IV-355
analog-to-digital capture cards I-178, I-219, IV-342
analog-to-digital converters I-185
analog-to-DV converters I-187
analog-to-DV systems I-182–I-184
analog video I-24, I-178
calibrating equipment III-540
connecting equipment I-182–I-184, I-185
consumer devices I-186
levels III-534
measuring during output III-536
analog videotape IV-189, IV-414
analog waveforms IV-447
Analyze Movie command IV-121, IV-122–IV-125
Anamorphic 16:9 setting for sequences IV-363,
IV-431–IV-432, IV-433
anamorphic Easy Setups IV-61
anamorphic lens IV-430
Anamorphic property IV-37, IV-45, IV-363, IV-432
anamorphic video III-373, IV-445