Apple Final Cut Pro 6 User Manual
Page 1998

Index
515
LiveType
freeze frame of project III-367
opening clips in III-481
using with Final Cut Pro III-480–III-482
LiveType titles III-480
loading
keyboard shortcut layouts I-146, I-153
window layouts I-146
Load option IV-253
Load Sequence Preset button IV-371
locked bin icon IV-36
locked items
pen tools and IV-314
presets IV-329
tracks IV-461
Locked option IV-264
locked tracks II-128–II-129, II-204, II-276, II-343
locking items
keyboard shortcut layouts I-147
playheads in multiple windows I-87
Lock Track control I-116, II-128, II-204, II-343, IV-461
log and capture buttons I-239
Log and Capture window IV-461
batch captures I-276–I-278
controls in I-79, I-94
logging I-253
marking controls I-242
Preview area I-240, I-252
settings I-239–I-244
transport controls I-241
logarithmic sliders III-227
Log Bin button I-255
Log Bin controls I-255
Log Clip button I-244, I-255
Log Clip dialog I-266
logging
batch capture lists I-310
benefits of I-248
capturing media while logging I-267, I-279–I-280
changing clip settings I-265
described I-18, I-235
duplicate timecode numbers I-267–I-269
entering data I-242, I-259–I-261
importance of I-247
In and Out points I-257
incrementing numbers I-259
keyboard shortcuts for I-267
Log and Capture window settings I-239–I-244
logging bin I-255–I-256
logging clips I-266–I-267
log notes I-261
marking while logging I-262–I-263
monitoring video and audio during I-252
preparing for I-245, I-249
reel names I-250, I-256
selecting tracks to capture I-263–I-265
shooting scripts and I-269
steps in I-253
techniques I-236–I-238
tips for I-267
window dubs. See window burns I-311
logging angle numbers II-243
logging bin I-255–I-256
adding clips to I-266
batch capturing and I-275
logging bins IV-461
logging columns I-60
logging process
clips IV-146
described IV-461
media management and IV-15
Logging tab I-242, I-253, I-262
Logic Control XT control surface III-101
Logic Pro III-213–III-214
Log Note field I-261
Log Note property IV-40, IV-45
long frame markers II-56
long frames IV-125–IV-126
longitudinal timecode (LTC) IV-414
longitudinal timecode. See LTC (longitudinal
timecode)
long-term archiving IV-23
looped playback IV-224, IV-461
looping playback I-105, II-368
audio tracks III-96–III-98
filter adjustments and III-170
looping sequences IV-224
Loop setting IV-207
lossless compression IV-233, IV-251, IV-391, IV-392
lossy compression IV-391, IV-393
loudness
Lower 3rd text generator III-474
low-range frequencies III-155
low-resolution media
capturing IV-17
offline/online editing IV-57, IV-60
low-resolution render files III-650
LTC (longitudinal timecode) IV-352, IV-356, IV-413,
IV-414, IV-461
luma IV-379, IV-389, IV-461
adjusting III-542
blacks, mids, and whites ranges III-510
broadcast legal levels III-523–III-525
broadcast safe controls III-527
described III-509
in Histogram III-517
overlays I-85
luma clamping III-664
Luma control III-433, III-604
luma key IV-461