Apple Final Cut Pro 6 - Manual (Page 795)

10 Contents
412 Changing a Clip’s Alpha Channel Type
415 Viewing RGB and Alpha Channels in the Viewer
417 Choosing a Background
418 Temporarily Excluding Clips from Playback or Output
419 Temporarily Disabling a Single Clip
420 Soloing Clips in Multitrack Sequences
Chapter 20 421 Keying, Mattes, and Masks
421 Ways to Layer and Isolate Elements in Clips
421 What Are Mattes and How Can You Use Them?
422 What Is Keying and How Can You Use It?
423 What Are Masks and How Are They Used?
424 Using Keying to Isolate Foreground Elements
424 Shooting Footage That Keys Well
427 Overview of Compositing Using the Chroma Keyer Filter
430 Working with the Chroma Keyer Filter
440 Using Mattes to Add or Modify Alpha Channels
440 Matte Filters Available in Final Cut Pro
440 Example: Using the Four-Point Garbage Matte Filter
442 Example: Keyframing Garbage Mattes
443 Using Masks to Replace or Modify Alpha Channels
443 Mask Filters Available in Final Cut Pro
444 Example: Using the Image Mask and Mask Feather Filters
Chapter 21 447 Using Generator Clips
447 What Is a Generator Clip?
448 Different Ways to Use Generators in Your Sequence
449 Video and Audio Generators Available in Final Cut Pro
453 Creating and Adding Generators to Sequences
Chapter 22 455 Using the SmoothCam Filter
455 About the SmoothCam Filter
455 How the SmoothCam Filter Works
456 About Queuing and Background Processing
456 Where Is Motion Analysis Data Stored?
456 Using the SmoothCam Filter
457 Applying the SmoothCam Filter
457 Controlling SmoothCam Motion Analysis
462 Adjusting SmoothCam Filter Parameters
465 Setting Clip In and Out Points to Improve SmoothCam Rendering
467 Rendering and Exporting Clips with the SmoothCam Filter Applied
468 Managing Media and Motion Analysis Data
468 Using the Media Manager