Apple Final Cut Pro 6 User Manual

Page 1678

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Chapter 13

Preparing to Output to Tape

195

III

If you plan to do a series of insert edits to output your whole program onto tape, you
must use a tape that’s blacked from beginning to end. If you’re assemble-editing a long
program to a new tape, you don’t have to black the entire tape, but it’s a good idea to
black at least 30 seconds of the tape so there is enough timecode so you can set an
In point as well as allow for pre-roll before the In point.

To prepare a tape with black and timecode:

1

Insert a videotape into your camcorder or deck.

2

Choose File > Edit to Tape.

3

In the Edit to Tape window, click the Black and Code button.

4

If your video equipment supports timecode generation, make sure your deck is set to
accept an external timecode signal.

Note: Timecode is sent via an RS-422 serial port. This is not supported for DV FireWire.

5

Enter the starting timecode in the dialog, then click OK.

This defines the starting timecode number that appears on your tape.

6

In the Black and Code dialog, choose an option from the Settings pop-up menu,
then click OK.

Current settings are based on the sequence preset in your current Easy Setup. If you
select Custom, the Sequence Preset Editor appears and you can choose custom settings.
For more information, see “

About Sequence Settings and Presets

” on page 362.

7

When a message appears saying your tape will be erased and rewritten with black
frames and timecode, click OK.

The tape rewinds to the beginning and the entire tape is blacked. If your video
equipment supports timecode generation, timecode is also recorded, starting from the
timecode specified. To cancel the black and code process, press the Esc key.

Click this button
to black your tape.

This message indicates the black
and code progress has started.

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