Apple Final Cut Pro 6 User Manual
Page 1975
492
Index
split edits in II-232
switching to Timeline or Viewer II-429
synchronizing playhead with Viewer II-434–II-437
tabs I-49, I-90
timecode overlays I-109
Timeline and I-111
two-up display in II-405
“Unrendered” message III-648
using timecode in I-107–I-110
View pop-up menu I-85, I-98
wireframe handles III-278–III-285
wireframe modes III-274–III-276
zoom controls III-277–III-278
Zoom pop-up menu I-98
Canvas Edit Overlay II-423
capstans IV-200
Capture Batch button I-244, I-275
capture buttons I-239
capture cards. See video cards
Capture Clip button I-244, I-255, I-279–I-280
Capture Now button I-244, I-281–I-285, I-306
Capture Offset field IV-353
Capture option IV-209
Capture pop-up menu I-275
Capture Preset Editor IV-339, IV-343, IV-347
Capture Preset pop-up menu I-276
capture presets I-244, IV-339–IV-347
advanced settings IV-343
batch capturing I-273
capturing audio only IV-346–IV-347
described IV-324, IV-339
DV audio channels and I-302
general settings IV-340
QuickTime settings IV-341–IV-345
selecting I-244, I-276
third-party video cards and IV-339
Capture Presets tab IV-340
Capture property IV-38
Capture Settings tab I-244, I-266
Capture Status property IV-45
capturing process
aborting I-290, IV-308
audio I-295–I-308
audio/video files captured separately I-166
audio and video levels I-266
audio levels III-63
batch capturing I-272–I-279
calibrating timecode IV-357
Capture Clip button I-279–I-280
capture settings IV-194
capturing audio IV-346–IV-347, IV-443
capturing entire tapes I-280–I-285
capturing video I-271–I-294
capturing while logging I-267
changing settings I-266
copying capture settings III-329
data rates I-208
described I-18, I-235, IV-450
device control and I-279–I-280
EDL considerations IV-145
exporting EDLs and IV-147
frame rates and I-278
hard disk requirements I-210
high-resolution media files IV-60
vs. importing I-316
Log and Capture window settings I-239–I-244
low-resolution media files IV-60
manual video capture I-286–I-287
media management and IV-15
Media Manager and I-294
multiple video decks I-205
OfflineRT format IV-62
preparing for I-245
presets IV-324
problems with IV-443
recapturing clips I-288
resolution and I-286
selecting tracks for I-263–I-265
subclips and I-283
synchronized audio and video I-307
techniques I-236–I-238, I-272–I-287
timecode breaks and I-289–I-293
using non-controllable devices I-286–I-287
video cards IV-340
video DVDs and IV-269
cards. See video interfaces
Cartesian geometry III-261
cassette shapes for videotape IV-376
CCDs (charge-coupled devices) IV-430
CD audio I-327
.cdda extension I-315, I-327, IV-235
CD players I-199
CD-RW drives I-209
center handles III-276
center points IV-450
Center Split Slide transition II-391, IV-151
Center Wipe transition II-392, IV-152
CG (Character Generator) IV-450
change list (Cinema Tools)
exporting IV-181–IV-182
saving program files IV-180
Channel Blur filter III-242
Channel Compositor transition II-390
Channel Grouped option III-46, IV-365
Channel Map transition II-390, IV-151
Channel number display IV-369
Channel Offset filter III-242
channels IV-139, IV-451
alpha channels I-328, III-376, III-410, IV-233
assigning audio tracks to output channels III-193