Apple Final Cut Pro 6 User Manual

Page 1990

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Index

507

Find All command II-30, II-31
Find command II-31, II-32, II-183, IV-14
Find Edges filter III-251
Finder (Mac OS X)

effective media management and IV-14
Media Manager processes and IV-109
reconnecting files and IV-83

finding items

in Browser II-31–II-34
commands for II-30
gaps in sequences II-202–II-205
media files II-83
offline clips IV-81
options II-28–II-30
in sequences II-183–II-184
settings IV-318
in Timeline II-183–II-184
unused clips II-32

Find Next command II-30, II-31, II-184
Find Results window II-31, II-33–II-34
Find window II-28–II-32
finishing on tape process IV-457
finishing phase. See online editing
FireWire

analog equipment and IV-355
audio configuration III-38
audio mapping IV-351
audio outputs I-188
calibration III-536
camcorders IV-355
channels and I-301
connections I-169
connectors for I-180
described I-180, IV-355, IV-457
device control IV-355
device control presets IV-351
DV black levels and III-535–III-536
DV timecode and IV-354
external monitors and I-221
FireWire 400 I-180
FireWire 800 I-180
NTSC option I-223
output formats and IV-188
PAL option I-223
Protocol setting for IV-350
remote control IV-200
versions of IV-355
website IV-355

FireWire 800 I-180
FireWire audio interface I-190
FireWire PCI cards I-214
FireWire video interfaces

I-175

Fisheye filter III-244
Fit All setting I-84
fit to fill editing IV-457

fit to fill edits I-92, II-148, II-149, III-338, III-340
Fit to Window setting I-83
flags. See markers
FlashPix format I-316, IV-234
Flash RAM I-235
flat frequency response III-53
flattening audio III-189
flattening layers in images III-376, III-380, III-408
FLC files IV-246
Flesh Tone line III-516, IV-457
flesh tones III-516, III-539–III-540, III-546, III-590,
III-601
flicker IV-386, IV-406–IV-407
Flicker filter III-252
floating audio meters III-60, III-61
Flop filter III-250
folders

importing I-317–I-319
media files I-35
naming I-39

folders, EDLs and IV-144
fonts III-472–III-476

color III-478
readability III-472
selecting III-376, III-478

Forget Files list IV-84
Forget Render button IV-84
Format option IV-135, IV-287, IV-288, IV-297
Format option for timecode II-448
formats, changing II-90
formats. See file formats
Format tab II-83
For search option II-29
Forward option IV-225
Four-Point Garbage Matte filter III-248, III-440
fps (frames per second) I-24, II-443

capture presets IV-342
understanding frame rates IV-405

fragmentation IV-440
frame blending IV-367, IV-457

clip speed and III-342, III-344
in Motion tab III-363
rendering and III-660, III-676

Frame Blending option III-342, III-344
frame boundary indicators III-557
frame counter (FF) II-439
frame delay offset settings I-228
Frame Offset field I-230
Frame Rate menu IV-367
Frame Rate option IV-250
frame rates II-440, IV-250

capture presets IV-341, IV-342
choosing IV-408–IV-409
compared to timecode IV-413
described I-24
dynamic real-time playback and III-629

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