Apple Final Cut Pro 6 User Manual
Page 1976
Index
493
audio alert messages III-39
audio channel 1 IV-450
audio channel 2 IV-450
bit depth and IV-390
capture presets IV-346
channel filters III-242
channel strips III-72
DV devices and I-301
meters I-298
mono and stereo audio I-264
multichannel audio capture I-199, I-296, IV-346
number of III-39
selecting for capture I-297
shortcut menu III-71
Channels option IV-257
chapter markers II-55, II-60, II-62, IV-243, IV-269,
IV-273, IV-274
chapter tracks (QuickTime movies) IV-274
Character Generator (CG) IV-450
checkerboard backgrounds I-86
Checkerboard Wipe transition II-392, IV-152
Checker Wipe transition II-392, IV-152
chip chart III-548, IV-451
Choke slider III-442
chroma IV-379, IV-389, IV-451
broadcast legal levels III-523–III-525
described III-511
chroma gain III-535
Chroma Keyer filter
chroma keying process III-424
controls III-226
described III-246
examples of using III-427–III-429, III-434–III-438
lighting background screens III-426
numeric controls III-431
settings III-432–III-434
transparency effects III-218
visual controls III-430, III-432–III-434
Chroma Keyer tab III-430
chroma keying III-422
chroma keying. See blue screening, green screening
Chroma Key transition II-390
chroma levels III-542
chrominance. See chroma
Cinema Tools II-245, III-630, IV-163–IV-184
opening clips from Final Cut Pro IV-177
Cinema Tools clips IV-36
Clamp Above slider III-527, III-528
clamped color conversions III-664
Clear Long Frame Markers command IV-121, IV-126
Clear Peak Marks command III-64, IV-122
Clear Split command II-236
click sounds
eliminating III-130
subframe keyframes and III-178
“Clip Collision” message II-193, II-334, II-351, II-356
clip control III-229
Clip Enable command III-419
clip icon IV-35
clip indicators in audio meters III-61
clip items
copying into sequences I-29
described II-78, II-120, IV-34
illustrated II-92
linked I-121
linked items II-142
selecting for Media Manager IV-90
in sequence clips II-78
Clip Keyframes control I-119, I-128, I-129, III-167,
III-230, III-312, III-322, III-350
Clip Name option IV-139
Clip Overlays control I-119, I-126, I-129, II-302, III-99,
III-111, III-391
clipped audio I-302, I-304
clipped color conversions III-664
clipping distortion IV-451
clipping indicators in audio meters I-298, III-76
clips
adding to sequences II-91, II-94–II-96
affiliate clips I-57
affiliate clips. See affiliate clips
alpha channels and III-410–III-418
analyzing IV-122–IV-125
anamorphic media and IV-431–IV-432
anchor points III-258
arranging in storyboard II-97–II-98, II-138–II-139
attributes III-327–III-330
audio. See audio clips
backgrounds III-417
backtiming II-109, II-165, II-168–II-169
batch capturing I-272–I-279, I-310
batch exporting IV-291–IV-299
batch lists I-309
blending III-389, III-390–III-418
boundaries II-211
capturing audio I-295–I-308
capturing process I-236–I-238
changing settings after logging I-265
clip names I-249, I-251, I-259–I-261, I-273
color-coding II-206
compared to media files IV-15
composite modes III-394, III-395
compression markers and IV-275
conflicting properties IV-52
connections to media files IV-72
controls I-80–I-81, I-95–I-96
copying I-57, II-196–II-199, II-411, II-412–II-415
copying and pasting attributes III-231–III-232,
III-261, III-327–III-330
copying portions of IV-112
cropping III-281