43 mixer functions (vf80ex), L31: female_vo, L32: chorus – Fostex VF80EX User Manual

Page 43: L33: speech, L34: digi.mix, L35: analogmix, L36: telephone, L20: clean_eg, L21: crunch_eg, L22: overdrveg

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43

Mixer Functions (VF80EX)

Gain

Freq.

Q

LO

HI

-5.0

+4.0

170Hz

5.8kHz

0.7

H-S

L31: Female_Vo

Effective for a whole chorus part by
emphasizing the high frequency
range.

Gain

Freq.

Q

LO

HI

-5.0

+5.0

120Hz

10kHz

0.7

H-S

L32: Chorus

Gain

Freq.

Q

LO

HI

ON

+3.0

180Hz

10kHz

HPF

H-S

L33: SpeeCh

Gain

Freq.

Q

LO

HI

+5.0

+6.0

100Hz

12kHz

L-S

H-S

L34: Digi.Mix

Gain

Freq.

Q

LO

HI

ON

ON

250Hz

8kHz

HPF

LPF

L35: AnalogMix

Gain

Freq.

Q

LO

HI

ON

ON

1.2kHz

5.6kHz

HPF

LPF

L36: Telephone

Effective for a female vocal

Makes a narration clear.

Makes an analog open-reel or cas-
sette tape sound closer to a digital
sound.

Cuts the high frequency range and
provides an opposite character to
L34.

Emphasizes the mid range only to
provide a telephone receiver sound.

Gain

Freq.

Q

LO

HI

-4.0

+4.0

100Hz

6.6kHz

L-S

H-S

L20: Clean_EG

Makes a moderately distorted
crunch electric guitar sound distinc-
tive.

Gain

Freq.

Q

LO

HI

-2.0

+6.0

120Hz

4kHz

0.7

1.4

L21: CrunCh_EG

Gain

Freq.

Q

LO

HI

+6.0

+7.0

310Hz

1.3kHz

1.5

1.1

L22: OverDrvEG

Gain

Freq.

Q

LO

HI

+6.0

+4.0

370Hz

3.6kHz

L-S

10

L23: Dist.EG

Gain

Freq.

Q

LO

HI

+3.0

+12.0

230Hz

14kHz

0.7

H-S

L24: Metal_EG

Gain

Freq.

Q

LO

HI

-9.0

+8.0

100Hz

9kHz

0.7

1.2

L25: Stroke_AG

Gain

Freq.

Q

LO

HI

-2.0

+3.0

210Hz

9.4kHz

L-S

0.1

L26: Arpeg.EAG

Gain

Freq.

Q

LO

HI

-7.0

+5.0

530Hz

4.4kHz

7.1

H-S

L27: Arpeg.AG

Gain

Freq.

Q

LO

HI

+3.0

+4.0

125Hz

260Hz

L-S

2.2

L29: W.WindSec

Gain

Freq.

Q

LO

HI

+2.0

+3.0

2kHz

6.2kHz

0.5

H-S

L30: Male_Vo

Adds a bright character to a trans-
parent and clean electric guitar
sound.

Makes a mellow overdriven electric
guitar sound fatter.

Makes a hardly distorted electric
guitar sound distinctive.

Makes a high-gain metal sound dis-
tinctive.

Suppresses a hole resonance of an
acoustic guitar and makes a code
stroke sound powerful.

Controls the arpeggio code balance
of an electro-acoustic guitar.

Suppresses a hole resonance of an
acoustic guitar and makes an ar-
peggio brighter.

Controls the balance of brass instru-
ments (such as trumpets, trom-
bones. etc.).

Makes the mid frequency range of
woodwind instruments (such as
clarinets, oboe, etc.) richer.

Effective for a male vocal

Gain

Freq.

Q

LO

HI

-3.0

+4.0

100Hz

5.6kHz

2.5

5.0

L28: Brass_Sec

Tips:
“L-S” (Low shelving type)

This equalizer affects all frequencies below a specified
frequency when applying boost or cut.

“H-S” (High shelving type)

This equalizer affects all frequencies below a specified
frequency when applying boost or cut.

“LPF” (Low pass filter)

This filter passes frequencies below a cut-off frequency
while cuts frequencies above the frequency.

“HPF” (High pass filter)

This filter passes frequencies below a cut-off frequency
while cuts frequencies above the frequency.

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