Record a keyboard – Strahl D1600mkII User Manual

Page 28

Advertising
background image

20

Check the recording mode

If you’ve already checked the recording mode, there’s no need to check it
again; if so, proceed to the next step.

1. Access the [RECORD] “RecMode” tab page, and make sure that

“Select RecMode” is set to “Input.”

Record

1. Set the recording-start location to the beginning of the song.

At the beginning of the song, the counter value will be “001.01.000”
or “000:00.000”.

To move to the beginning of the song, press the counter value and
turn the [VALUE] dial to the beginning of the song (“001.01.000” or
“000:00.000”).
Alternatively, you can hold down the [STOP] key and press the
[REW] key to move to the beginning of the song. However if you are
already at the beginning of the song, holding down the [STOP] key
and pressing the [REW] key will take you to the preceding song, so
check the current location before you use this method.

2. Hold down the [REC] key and press the [PLAY] key to begin record-

ing.

3. When you have finished recording, press the [STOP] key.

Play back

1. Hold down the [STOP] key and press the [REW] key to return to the

beginning of the song.

2. Press the [TRACK STATUS] key to select PLAY for the track you just

recorded.

3. Press the [PLAY] key to play back.

2. Record a keyboard

Here’s how to record a keyboard in stereo.

Connect your keyboard

1. Use the top panel [TRIM] knobs to set INPUT 5 and INPUT 6 to the

minimum setting (+4 dB).

2. Lower the [MASTER] fader, and connect your keyboard to the

[INPUT 5] and [INPUT 6] jacks.

Assign the inputs to mixer channels

1. Press the [INPUT/TUNER] key to access the [INPUT/TUNER] “Ch

1–8” tab page.

2. Select the “Ch 5” icon, and use the [VALUE] dial to select “INPUT 5.”

In the same way, select the “Ch 6” icon and use the [VALUE] dial to
select “INPUT 6.”

For details on the counter dis-
play and moving the time loca-
tion, refer to “Changing the time
location” (→p.46).

When using stereo input, you
will be able to edit tracks and
effects most efficiently if you
select an odd-numbered and
even-numbered pair of inputs
(1–2, 3–4) and assign them to
adjacent mixer channels.

Advertising