Instructions for direct record, Recording to one track, Direct recording – Fostex VF160EX User Manual
Page 31: Warning, Recorder 1~16 track, Trim a-h input a-h
31
This section describes the basic REC/PLAY procedures in the
“DIRECT”
recording mode, which is the easiest recording
procedure and also provides recordings that most closely resemble the original. Hints and tips to
successfully operate the VF160EX are included according to the work flow, ranging from the actual recording to mix
down process. Both experienced and novice users of multitracker should try this process so as to learn the VF160EX
operations. The following description assumes that the VF160EX has been started up without any recordings.
Recording to One Track
Here, we will record to track 1 of the recorder. Check to see that the channel faders of ch1-16 and the master fader
are set to “-
∞
” (completely down) and that
[TRIM]
A to H are set to LINE position (fully turn to left).
Also use (connect) a headphone or monitor speakers to monitor the sound.
Instructions for DIRECT Record
DIRECT Recording
The figure on the right shows the relations between input channels
and recording tracks in the DIRECT recording mode. You can see that
up to 8 input channel signals can be recorded simultaneously.
WARNING!
* It is also possible to simultaneously record 16 tracks.
However, there will be 2 consecutive tracks on which the same
sound is recorded.
* The channel with the ORANGE light ON ([INPUT]) from among
ch9-16 of the
[CH STATUS/CH SEL]
keys cannot output the audio
sound on the tracks corresponding to 9-16, therefore, recording
will be prohibited.
As a result, the READY state cannot be established with the
[DIRECT-REC TRK]
key.
A
B
C
D
E
F
G
H
1/9
2/10
3/11
4/12
5/13
6/14
7/15
8/16
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
RECORDER
1~16 Track
INPUT
6/14/F
7/15/G
5/13/E
4/12/D
3/11/C
2/10/B
1/9/A
INSERT
UNBAL
BAL
8/16/H
BAL
INSERT
UNBAL
1/9/A
2/10/B
3/11/C
4/12/D
5/13/E
6/14/F
7/15/G
8/16/H
PEAK
PEAK
PEAK
PEAK
PEAK
PEAK
PEAK
PEAK
LINE
MIC
LINE
MIC
LINE
MIC
LINE
MIC
LINE
MIC
LINE
MIC
LINE
MIC
LINE
MIC
TRIM
ACCESS
PHANTOM
INPUT SEL
SOURCE
REC ASSIGN
BUSS
DIRECT
REC TRK
REC TRK
AUTO RTN
AUTO PUNCH
START
IN
OUT
END
IN
ALIGN SEL
OUT
DISP SEL
PGM SEL
SETUP
INT
MIXDOWN
A RTN
A PLAY
SCENE SEQ.
TIME BASE
CLIPBOARD
MARK
1
2
3
4
5
6
7
HOLD/
STORE
EDIT
UNDO
/REDO
VARI
PITCH
LOCATE
SCRUB
P.EDIT
EVT MEM
F FWD
REWIND
PLAY
STOP
RECORD
CLIPBOARD PLAY
LOCATE ABS 0
LOCATE REC END
PREV
NEXT
JOG
SHUTTLE
AUTO
PUNCH
EXIT/NO
EJECT
ENTER/YES
FADER
ADJUST
LEVEL
ADJUST
SHIFT
CH PARAM EDIT
CH VIEW
FADER
TRACK
LO-G
PAN
PRE/POST
MID-G/F/Q
AUX1/AUX2
COMP
PRE/POST
EFF1/EFF2
HI-G/F/Q
EQ/COMP
MUTE
MUTE
EFF1
EFF2
EFF EDIT
MAP
DIRECT RCL
CLEAR
STORE
RECALL
SCENE
MUTE
OFF
PLAY
GREEN
REC
RED
INPUT
ORANGE
CH STATUS
CH STATUS/CH SEL
1/9/A
2/10/B
3/11/C
4/12/D
5/13/E
6/14/F
7/15/G
8/16/H
PEAK
PEAK
PEAK
PEAK
PEAK
PEAK
PEAK
PEAK
LINE
MIC
LINE
MIC
LINE
MIC
LINE
MIC
LINE
MIC
LINE
MIC
LINE
MIC
LINE
MIC
0
10
0
10
PHONES
MON OUT
TRIM
INPUT
6/14/F
7/15/G
5/13/E
4/12/D
3/11/C
2/10/B
1/9/A
INSERT
UNBAL
BAL
8/16/H
BAL
INSERT
UNBAL
R
L
PHONES
MON OUT
MUTE
OFF
PLAY
GREEN
REC
RED
INPUT
ORANGE
CH STATUS
CH STATUS/CH SEL
1
2
3
4
5
6
7
8
9
A
10
B
11
C
12
D
13
E
14
F
15
G
16
H
MASTER
TRACK
INPUT
-60
-50
-40
-30
-20
-10
0
+6
-60
-50
-40
-30
-20
-10
0
+6
-60
-50
-40
-30
-20
-10
0
+6
-60
-50
-40
-30
-20
-10
0
+6
-60
-50
-40
-30
-20
-10
0
+6
-
∞
-
∞
-
∞
-
∞
-
∞
ACCESS
PHANTOM
CD PLAY
OPTICAL
1
2
3
8
4
7
7
6
5
Hint!
Caution!
TRIM
A-H
INPUT
A-H