Selecting and creating tones, 9bl 7 bn bo bp bq br bs 3 5, Overview – Casio XW-G1 User Manual

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E-18

Selecting and Creating Tones

The tones of this Synthesizer are made up of the 16 parts shown below, plus externally input parts. This chapter explains how to
select, edit, and save tones using Zone Part 1

*

in the Tone Mode (page E-11).

It also covers the Effect Function that can be used to enhance tones and controllers that can be used to make various changes in
a tone as you play.

* About zones and zone parts

Keyboard, pedal, button, and other operations not only affect the Synthesizers preset tones, they are also sent as MIDI data and
affect any external device (electronic musical instrument or computer) connected to the Synthesizer.
The settings that apply to both internal and external parts are collectively referred to as a “zone” while the parts of the
Synthesizer’s built-in sound source that correspond to a zone is called “zone parts”. For example, if you select a tone with
Synthesizer Zone 2, that tone can be the part that corresponds to both the internal sound source Zone Part 2 or MIDI Channel 2
of an external device.

Overview

Part Number

Part name

Features

1

Zone Part1

*

This is the Synthesizer’s main part. This part is played whenever you play on the
keyboard. You can select the tone assigned to Zone Part 1 and edit the currently
assigned tone.

2 to 4

Zone Parts 2 through 4

*

These parts can be played only in the Performance Mode. Compared with Zone Part
1, your ability to assign and edit the tones assigned to these parts are limited (page
E-71).

5 to 6

Multi-function Key

These parts are used by Phrase 1 (Part Number 5) and Phrase 2 (Part Number 6),
which are assigned by the Multi-Function Key function (page E-73).

7

Guide, Precount

Used by the guide and/or precount when recording a phrase (page E-47).

8 to 16

Drum 1 to Chord

Step Sequencer Note Parts (page E-40).

External Input

These are tones that are input via the

cl

MIC IN, INST IN jacks (page E-78).

• You can change the relationships between zones and MIDI channels (page E-73).

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