Manual calibration procedure, Preparation, Has instructions for per – Universal Audio UAD POWERED PLUG-INS ver.6.1 User Manual

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UAD Powered Plug-Ins Manual

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Chapter 12: Ampex ATR-102

Manual Calibration Procedure

Manual calibration tools are provided so expert users can calibrate the sys-
tem to their preferred methods for obtaining desired results. For example,
some technicians may prefer adjustments for lowest distortion at a certain fre-
quency; setting bias for maximum sensitivity (instead of overbiasing); or other
non-standard techniques.

The calibration procedure described here is the most commonly used tech-
nique, and is the (albeit simplified) method recommended by the Ampex Op-
eration and Service Manual.

Important:

Manual calibration is not required to use UAD Ampex ATR-102.

Following this procedure will result in the same (or nearly the same) values ob-
tained by simply using the

Auto Cal

feature.

Tip:

When making manual calibration settings, consider disabling Auto Cal

so the manually calibrated values are not accidentally lost if any of the con-
trols that force automatic calibration (Tape Type, Tape Speed, Emphasis EQ,
and Head Width) are inadvertently modified.

Preparation

Reduce monitoring system volume to avoid loud sine wave

Tones

.

• Insert UAD Ampex ATR-102 on the DAW output bus (see note below).

Set

Path Select

to

Repro

mode (Sync mode is not supported for manual cal).

• Set left and right Meter

Input/Output

switches to the “OUTPUT” position.

• Set left and right Meter

Peak/VU

switches to the “VU” position.

Set

Tape Speed

,

Tape Type

,

Cal Level

, and

Head Width

to desired values.

• If Tape Speed is set to 3.75 IPS, set

Cal Level

to +3 dB.

Disable

Noise Enable

(excessive

Hiss

may contribute to incorrect results).

• Do not change the above settings throughout the procedure.

• For related information, see the

Manual Calibration Notes

at the end of this

chapter.

Note:

The

Manual Calibration Tools

are operational only when

Path Select

is set to Sync or Repro. Additionally, the tools may not operate in some hosts
unless audio is present on the track containing the plug-in and the transport is
running. Placing the plug-in on an aux, bus, or master output may eliminate
this host limitation.

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