2 how does it work – d&b TI 385 d&b Line array design User Manual

Page 49

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ArrayProcessing can eliminate these issues by providing a

consistent frequency response throughout all listening

positions. The resulting effect is that what you hear at FoH is

what you will hear everywhere else. The mix is valid for

everyone.

Compensating air absorption effects
ArrayProcessing includes air absorption effects in its

calculations and provides a precise and seamless

correction for all relevant cabinets. This not only provides

a more consistent sound balance over distance, in many

applications where the system has sufficient headroom, its

throw can be extended and the need for delay systems is

greatly reduced.

Flexibility
The level distribution in the audience area can be modified

and tailored to reduce the level towards the front of the

audience area and modify the level drop over distance

over the audience area. Different ArrayProcessing settings

for the array can be compared at a mouse click.

Intelligibility
In many applications, achieving a more accurate directivity

control causes less stimulus to the reverberant field and

leads to improved intelligibility.

Health & safety
Using ArrayProcessing, the level increase towards the front

of the venue can be adjusted. Reducing it may help
avoiding harmful sound pressure at the front while keeping
the desired level for the rest of the audience.

11.2 How does it work?
With the introduction of ArrayProcessing, for speaker

simulation a completely new unified, more accurate and

adaptive speaker model was developed and implemented.

This speaker model provides exactly the necessary degree

of detail for the type, size and the frequency range of each

source – the highest resolution to provide a precise

description of the behavior of a line array's sharp HF

dispersion, a medium resolution to cover the dispersion

characteristics of point sources and directional subwoofers

or a rather coarse resolution for omnidirectional

subwoofers.
The ArrayProcessing algorithm also considers and corrects

diffraction effects produced by neighboring cabinets.

Target points are distributed along the listening area profile

with a 20 cm spacing (along the intersection of the array

profile with all matching listening planes). When

ArrayProcessing is enabled, it first calculates the

contribution of each individual source to each listening

position using a high spectral resolution of 24 frequencies

per octave, making a total of 240 individual frequencies

per target point over the entire ten octave audio band.

The resulting data are stored in a matrix and serve as a

basis for all further calculations.
The ArrayProcessing optimization routine will then create a

unified/standardized frequency response at all these points.

This target frequency response is exactly the reference

response that is initially defined when tuning and voicing

the controller setups for the d&b line arrays in conventional

(unprocessed) setups. This response is identical for all

systems above approximately 140 Hz, below that

frequency each system has its own individual LF extension,

depending on the specific cabinet design.

Target frequency responses for J-, V- and Y-Series TOPs

Please note that the response created by the

ArrayProcessing algorithm is independent of array length,

curvature and system type. Any ArrayProcessing line array

design will provide the same sonic characteristics. Any

combination using multiple columns of ArrayProcessing line

arrays (rear fills, outfills, delays, etc.) does not require

individual tuning and maintains this uniform sonic footprint.
Any further adjustment to the system response, either by
using the CPL (Coupling) function or by applying master
equalization is then carried out identically on the entire
system for all listening areas.

TI 385 (6.0 EN) d&b Line array design, ArrayCalc V8.x

Page 49 of 54

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