Using the insert effect, About insert effect patches – Zoom MRS-1044 User Manual

Page 75

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Using the insert effect

This section explains how to insert the insert effect, how to

select a patch, and how to edit the patch.

The insert effect is a multi-effect unit that contains a chain

of separate effects such as compressor, distortion, and

delay. Each of these separate effects is called an "effect

module," and up to six effect modules can be used

simultaneously. A set of effect modules that can be used

simultaneously is called an "algorithm." You can use one of

the following four types of algorithms.

• GUITAR/BASS: An algorithm suitable for recording

guitar/bass.

• MIC: An algorithm suitable for recording vocals etc.

through a mic. This algorithm has two variations, "MIC

SINGLE" for use with one mic, or "MIC DUAL" for

use with two mics.

• LINE: An algorithm used mainly when recording stereo-

output line-level devices such as synthesizers or

electronic pianos.

• MASTERING: An algorithm suitable for processing a

stereo mix signal during mixdown, etc.

The arrangement of the effect modules and the signal flow

for each algorithm is shown in the diagram below.

• Some algorithms are mono input / stereo output, and

others are stereo input / stereo output. This difference

will affect the signal flow when the insert effect is

inserted. For details refer to p.77.

• The MIC algorithms "MIC SINGLE" and "MIC DUAL" will

switch according to the effect type selected for the

COMP/LIM module. For details on the effect types, refer

to p.78.

Each module has various parameters (corresponding to the

knobs of a compact effect unit) that can be edited to adjust

the character or depth of the effect. Settings for the

parameters of each effect module and an overall volume

setting (patch level) are collectively referred to as a

"patch."

A newly created project contains 220 patches designed by

ZOOM, and these patches are organized according to the

four algorithms. You can instantly switch insert effect

settings simply by selecting the appropriate algorithm, and

then selecting a patch. The following table shows how the

patches are organized for each algorithm.

GUITAR/BASS

LINE

MASTERING

MIC

00 – 99

100 types

50 types

00 – 49

50 types

00 – 49

20 types

00 – 19

Algorithm Patch

number

Types

COMP

PRE AMP/

DRIVE

EQ

ZNR

PAT LVL

VOL PDL

MODULATION/

DELAY

Patch

H

INT

About insert effect patches

ZOOM MRS-1044

75

Refer

e

nce

[Ef

fects]

Using the insert effect

3BAND COMP/

LO-FI

NORMALIZE

EQ

ZNR

VOL PDL

DIMENSION/

RESONANCE

COMP

PRE AMP/

DRIVE

EQ

ZNR

VOL PDL

MODULATION/

DELAY

COMP/LIM

MIC PRE+

DE-ESSER

EQ

ZNR

VOL PDL

MODULATION/

DELAY

COMP/LIM

CONM

MIC PRE
MIC PRE

EQ
EQ

ZNR
ZNR

DOUBLING
DOUBLING

COMP/LIM

ISOLATOR

EQ

ZNR

VOL PDL

MODULATION/

VOL PDL

GUITAR/BASS

LINE

MASTERING

MIC

SINGLE

DUAL

Algorithm

Effect modules

Input/output type

Mono

→ stereo

Stereo

→ stereo

[Module arrangement for each algorithm]

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