Saving and loading assignments (quck routing), The channels, Input channels – Teac 2488 User Manual

Page 22: Digital pad/gain, Saving and loading assignments (quck, Routing), 2 – mixer

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2 – Mixer

22

TASCAM 2488

User’s Guide

Saving and loading assignments (QUCK ROUTING)

There are three “slots” that can be used to save com-
monly used routing assignments. These slots
accessed through the

QUICK ROUTING

key:

1

Press the

QUICK ROUTING

key to bring up the

screen shown here.

2

Use the wheel or “up” and “down” cursor
keys to select the slot to be loaded or to which
the current routing assignments will be saved.

3

Use the “left” and “right” cursor keys to select

LOAD

or

SAVE

.

4

Press

ENTER

. The routing assignments are

either stored (the home screen shows

Save

routing

briefly) or loaded (the home screen

shows

Load routing

briefly).

NOTE

If you save a routing assignment to the BOUNCE slot,
even if you are not in bounce mode (“Making a bounce
mix” on page 49),
the 2488 will enter bounce mode
when this assignment is next recalled.

The channels

Each of the 24 channels provides the following facil-
ities:

• Digital pad/gain
• 3-band parametric EQ
• Effect sends

• Phase reversal switch
• Panpot
• A physical fader (which may be overridden by an

internal “virtual fader”)

• A mute key
• Solo facilities

Input channels

Like the 24 track channels, the eight inputs are pro-
vided with phase, digital pad/gain, EQ, effect sends,
etc.

They are not provided with physical faders, but the
output from these “extra channels” can be adjusted
on-screen. Although these settings can be made at
any time, they are only effective when the inputs
have been assigned to the sub mix. See “Sub mix” on
page 29 for
details.

In this manual we talk about “pressing a channel’s

SELECT

key” to select the appropriate screen, often

this includes the

INPUT

keys as well, even when this

is not actually stated.

Many times, there will be no need for these facilities
to be used on the input channel (there are times when
this is useful, though—see the sections on “Monitor-
ing” on page 27
and “Sub mix” on page 29).

Digital pad/gain

Press the channel’s

SELECT

key, followed by the

EQ

key (this order can be reversed).

Use the cursor keys to navigate to the

PAN/GAIN

area, and set the value to between

–42

and

+6

dB.

Usually, this value will be set to

0

.

Use this to add volume to a quiet instrument or to
remove excess volume from a loud one.

When a channel’s

EQ

screen is shown, simply press-

ing the

SELECT

key of another channel will show

the

EQ

screen for that channel.

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