EastWest Hollywood Orchestra Opus Edition Virtual Instrument Plug-In (Download) - Manual (Page 199)

HOLLYWOOD ORCHESTRA OPUS EDITION C O N T E N T S <
CHAPTER 6: MIX 199 C H A P T E R <
6.2 OVERVIEW OF EFFECTS
The section takes a detailed look at each of the effects categories and processors.
6.2.1 EQ
Equalizers use filters that allow you to boost or attenuate frequencies to change
the tonal balance of the source for corrective purposes like reducing problematic
frequencies, or enhancements like adding presence. They can also be used for more
creative uses. There are 4 effects that fall into this category:
• Bass Comp
• Channel Equalizer
• Equalizer
• Tone Enhancer
Bass Comp
Enhance the low end by using the Sub Frequency control to define the center frequency
between 32 hz and 256 hz, and the Fat control to boost it. Use the Bandwidth control
to define the slope around the center frequency to be either narrow or broad.
CONTROLS
Fat Boost sub frequencies with a control ranging from 0 - 100%.
Sub Frequency Select a center frequency between 32 hz and 256 hz, with the Fat control to boost it.
Bandwidth Define a narrow (0%) or broad (100%) slope around the specified frequency.
Dry Gain Set the gain of the dry signal from none at all (0%) to full (100%)
Output Gain Boost (+24 dB) or attenuate (-60 dB) the audio output gain.
Channel Equalizer
A 3-band equalizer comprised of a high and low shelf filters on either end, that boosts or
attenuates frequencies above or below the specified frequency, with a peaking filter that
boosts or attenuates frequencies around the center frequency.