EastWest Hollywood Orchestra Opus Edition Virtual Instrument Plug-In (Download) User Manual
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HOLLYWOOD ORCHESTRA OPUS EDITION
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CHAPTER 6: MIX
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cessing. In this approach, before bouncing down to audio tracks, you can load multiple
mic positions in all instruments. You will need to adjust the individual volume sliders
for the three microphone positions at this time to achieve the balance you want. This
approach works best when you want to get a final mix quickly without working through
multiple mix-downs.
Recording Multiple Microphones to Separate Channels
If you want to create the separate audio files described in the first approach, and have
a very capable computer system that will allow you to process multiple mic positions
simultaneously, then you can use this approach. Set up your instruments as in case 2
(above), but use the individual output controls for the mic positions you’re using to send
the audio to separate tracks (instead of mixing them within Opus).
Direct the audio to separate tracks in the sequencer, where you can specify which out-
puts should be captured in each track (refer to the documentation for your sequencer).
Note that it is possible to send multiple instruments (and mic positions) to the same
track. For example, you can send the Close mics frosm the staccato celli, the pizzicato
violins, and as many more as you want, to the “3-4” outputs, and they will all get mixed
together on the same audio track. This approach gives you a ability to spread out your
audio outputs any way you want.
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