Eq edit] keys, Key, the vm200 displays the, Key in different fader modes – Fostex VM200 User Manual

Page 36: Knobs control the channels pan posi- tion

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Touring the VM200

36

VM200 UserÕs Guide

[EQ EDIT] Keys

The

[EQ EDIT]

keys enable you to select channels for parameter edit-

ing.

When you press an

[EQ EDIT]

key, the VM200 displays the

EQ EDIT

function page for the selected channel (for example, EQ EDIT CH2).

This function page includes parameters that control a four-band
parametric equalizer. The bands are LO, LO-MID, HI-MID, and HI.

You can adjust the equalization by rotating the [GAIN], [FREQ], and
[Q] controls for each band.

For more information, refer to the table below, which describes the
function of the

[EQ EDIT]

key in different Fader Modes.

[EQ EDIT] key function

EQ Section Rotary Controls

The VM200 EQ section is horizontally subdivided into four sections:
EQ-LO, EQ/LO-MID, EQ/HI-MID, and EQ HI.

Each band features three knobs labelled Gain, Freq, and Q that con-
trol the parametric equalizer in EQ Edit mode.

The Gain rotary control sets the gain of the input preamps.

The Freq rotary control specifies the frequency.

The Q rotary controls adjust the selectivity of a filter. A narrow fre-
quency band indicates a high Q value; a wide frequency band indi-
cates a low Q values. (In the response curve, notice how a bell-shaped
curve grows wider as Q decreases.)

However, like many VM200 controls, in other operational modes the
EQ section knobs serve multiple purposes. For example, in Channel
Edit mode, the

[FREQ]

and

[Q]

knobs control the channels pan posi-

tion.

CH

Input Channel

Master

Mode

1–8 (ANALOG IN)

9–16 (ADAT IN)

17–20 (EFF RTN)

CHANNEL

Edits EQ for

Channels 1–8

(Disabled if

EQ Enable for

Channels 1–8 is

turned OFF.)

Edits EQ for

Channels 9–16

(Disabled if

EQ Enable for

Channels 9–16 is

turned OFF.)

Disabled

N/A

AUX1

AUX2

AUX3

AUX4

EFF1

EFF2

EQ/HI

EQ/HI-MID

EQ/LO-MID

EQ/LO

GAIN

FREQ

PAN

Q

PAN

FREQ

Q

FREQ

Q

FREQ

Q

GAIN

GAIN

GAIN

PAN

PAN

PAN

PAN

PAN

PAN

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