Apple Final Cut Pro 5 - Manual (Page 1797)

446 Index
Adjust Line Segment pointer III-116, III-259, III-359,
IV-410
Adobe Photoshop files. See Photoshop files
ADR (automatic dialogue replacement) III-17
Advanced button IV-318
advanced pull-down III-526
advanced pull-down. See 2:3:3:2 pull-down
Advanced Television Standards Committee
(ATSC) IV-352
AES/EBU digital audio channels I-205
affiliate clips I-57
breaking relationships IV-45
copied clips and II-417
creating IV-43, IV-44
creating from other affiliates IV-44
described II-78, IV-31
locating masters IV-48
master clips and IV-15, IV-41–IV-42, IV-44–IV-45
match frame commands II-287
Media Manager and IV-90
multiclips and II-286
properties II-84, IV-50
sequence clips and II-430–II-433
Source property IV-42
subclips and II-38
updating older projects and IV-27
After Effects filters III-202, IV-25
After Effects transitions II-396
AGP graphics cards I-216
AIFC format I-305, IV-236
.aif extension IV-272
AIFF files IV-147–IV-156
audio file formats IV-236
described IV-410
edit points and IV-147
exporting IV-53, IV-247
exporting audio tracks as IV-147–IV-156
exporting multiple files IV-155
as Macintosh format IV-151
as QuickTime-compatible IV-228
uncompressed AIFF IV-219
AIFF format I-305, I-313
AJA Io interface I-165, I-193
alert messages
changing transition durations II-387
“Clip Collision” message II-199, II-338, II-359,
II-355
“Insufficient content for edit” message II-113,
II-161, II-358
“Media Limit” message II-358
alert sounds, muting III-35
aligning text III-501
aligning transitions II-378, II-388
alignment IV-410
All Frames option, for external video I-222
All Items in Logging Bin option I-265
Alpha+RGB mode III-237, III-380
Alpha+RGB setting I-84
alpha channels I-84, I-316
black III-372
changing types of III-374, III-375
described IV-410
displaying information III-377–III-378
editing clips with III-373
exchanging media and III-376
in graphics III-344
image formats IV-235
importing clips with III-374
keying filters and III-387
masks and III-387, III-407
mattes and III-387, III-404
premultiplied black III-372
QuickTime movie files and III-356, III-371, III-374
reversing III-375, III-376
straight III-372
types recognized in Final Cut Pro III-371
uncompressed movies IV-233
using graphics and video clips with III-371–III-378
video codecs and IV-234
viewing in Viewer III-379–III-380
white III-372
Alpha Compositor transition (Channel
Compositor) II-393
Alpha mode III-237, III-379
Alpha property IV-35, IV-50
Alpha Type menu III-375
Alternate Take label II-212
ambience II-290, IV-146, IV-411
ambience tracks III-181
ambient sound effects III-17
ambient tracks IV-146
amplified speakers III-35
amplifiers
choosing systems III-23
frequency response III-25
signal levels III-26
amplitude
described III-38
measuring III-40
analog audio
capturing I-201
connecting equipment I-205
levels I-293
analog audio meters III-53
analog Composite video output IV-176
analog devices
data rates IV-318
FireWire and IV-329
analog-to-digital capture cards I-209, IV-318, IV-370
analog-to-digital converters I-198, III-24
analog-to-digital interfaces I-322
analog-to-DV converters I-200