Apple Final Cut Pro 5 - Manual (Page 1816)

Index 465
non-DV devices I-199
Print to Video command and IV-207
protocols for IV-329
serial devices IV-330–IV-331, IV-334
settings IV-183
status messages I-177
verifying setup of IV-334
video capture without I-176, I-276–I-277
video deck I-277
video decks IV-323–IV-329
Device Control pop-up menu I-295
Device Control Preset Editor I-244, IV-324–IV-327
device control presets I-207, I-234, I-244, IV-323–
IV-327
audio mapping IV-205
described IV-302, IV-323
serial devices IV-330
troubleshooting IV-334
Device Control Presets tab I-207, IV-324
device control protocols IV-325
devices
external monitors and IV-209
mini-DV devices. See mini-DV devices
non-controllable IV-331
presets IV-302
protocols supported IV-329
settings IV-180, IV-183, IV-196
status of IV-190
devices. See equipment
Device setting for capture presets IV-320
Device Settings tab IV-189, IV-196
device status indicators I-230
dialogue IV-146, IV-417
audibility III-19
from different takes III-179
editing III-22, III-177
off-camera III-178
in postproduction III-17
stereo and III-96
tips for cutting III-176–III-179
tracks III-181
dialogue scenes II-238
dialogue stems III-181
Diamond Iris transition IV-142
Diamond transition II-393
Difference compositing mode III-363
Difference Matte filter III-209
Diffuse filter III-213
Digital-8 format IV-417
digital audio
See also audio
connecting equipment I-205
overview III-46–III-49
tape I-294
digital audio clocks III-24
digital audio meters III-53
digital audio workstations (DAWs) IV-158
Digital Betacam format IV-59, IV-176, IV-356, IV-417
connecting equipment I-199
equipment setup I-195
Final Cut Pro support I-22
Digital Cinema Desktop feature I-216–I-218
Digital Cinema Desktop option I-214
Digital Cinema Desktop Preview command I-210
digital data IV-417
digital full scale audio measurement III-53
digital full scale range IV-417
digital media I-187–I-188
digital multitrack format I-23
digital multitrack recorders I-294
Digital S. See D-9 format
Digital SD video pixels III-340
digital-to-analog converters III-24
digital-to-DV converters I-200
digital video
described IV-417, IV-419
frame rates IV-382
digital video. See DV formats
digital video. See video
Digitizer setting for capture presets IV-317
digitizing process IV-418
dimensions, image II-90
dimensions of graphics III-345
dimensions of video frames I-24, IV-350, IV-355
Dip to Color Dissolve transition IV-142
Dip to Color transition II-393
directories for media files I-35
directory paths IV-42, IV-72
disabled audio tracks IV-159
disabled tracks I-113, III-562
disabling clips III-381
disclosure triangles IV-418
discrete audio II-296
disk arrays I-187–I-188
disks. See hard disks, scratch disks
disks. See hard drives
disk space. See hard disk space
Displace filter III-206
dissolves IV-122
dissolve transitions II-375, II-393
distort filters III-206
distort handles III-238
distorting clips III-242, IV-418
distortion, audio III-19, III-42
distortion in audio I-293
Distort parameter III-220
Distort tool III-238
distribution in moviemaking process I-16
Dither Dissolve transition II-393, IV-142
dividers in Timeline II-138
Dock I-51
documentary-style projects I-241