Apple Final Cut Pro 5 - Manual (Page 1801)

450 Index
properties II-80–II-85
quality II-290
recapturing I-265, I-278, I-283
recently used I-86
reconnecting to files I-36
redoing changes in II-96
removing from sequences II-206–II-208
renaming I-58
render bars III-519
rendering I-121, III-546
rendering in nested sequences II-421
rendering separately III-542
render status III-537
replacing II-161–II-162
replacing sections of II-165–II-166
resolution II-311
resyncing II-163, II-228–II-232
ripple edits II-338
scrolling through II-299
scrubbing II-300
scrubbing through I-67, I-100
searching for II-28–II-34
selecting II-175–II-188, II-190, II-348–II-350
selecting all II-185, II-188
selecting in Browser I-55
selecting multiple clips II-182
selecting tracks to capture I-253
settings I-313
shuttling through I-101–I-102
sliding II-321–II-324
slipping II-372
snapping to points II-195–II-196
sorting II-27–II-28, II-99
speed I-119
split edits II-238
split In and Out points II-117
start and end timecode II-83
stereo pairs I-120
stereo vs. dual mono III-65
subclips I-35, I-278
subframe audio operations II-308–II-312
synced items I-108
syncing. See audio-video sync
timecode I-107, I-108
timecode breaks in I-281
in Timeline II-94, II-304
transitions II-308, II-377–II-384
trimming II-190, II-301–II-303, II-348–II-355,
II-406–II-409
trim points II-348–II-350
types of II-78
unused II-32
using with different video clips III-178
variable speed settings and III-312
varying speed I-101–I-102
Viewer controls II-292–II-294 volume II-292, II-293
volume settings III-19
waveform displays II-291–II-295
zoom controls II-297–II-299
Audio command III-117
Audio Controls button I-118, I-119
audio cues III-142
audio decks IV-322
audio equipment
connecting I-164, I-204–I-205
connectors I-194, III-24, III-30–III-31
control surfaces III-98
device control I-294–I-295
input and output devices I-164
microphone levels III-30
monitor choices III-25
monitor setup III-32–III-35
non-device control equipment I-296
professional vs. consumer III-30
recording quality III-49
sample clocks I-297
sample rate and bit depth I-313
setup I-160
signals and cables III-28–III-29
speakers III-25
synchronizing I-206
for voiceover III-137–III-139
warnings I-215
audio files
converting I-313–I-315
file formats I-23
formats. See audio formats
importable formats I-305, I-313
names IV-154
sample rates I-313–I-315
audio filter icon IV-34
audio filters III-151–III-158
See also filters; specific filter names
adding III-18
applying III-18, III-161–III-163
applying multiple filters III-162
Audio Units filters III-173
categories III-152–III-158
changing order of III-166
compression filters III-154
controls III-160
copying/pasting between clips III-162–III-163,
III-289
displaying in Timeline III-164
EDLs and IV-135
effects filters III-157
enabling/disabling III-165
equalization (EQ) filters III-152–III-154
expansion filters III-155
favorite filters III-173
keyframing III-168–III-172