Apple Final Cut Pro 5 User Manual
Page 1820
Index
469
Editing mode IV-190, IV-201
editing systems IV-131
Editing tab II-373, IV-287
editing timebase IV-335, IV-337, IV-345
Edit Marker dialog II-60, II-64, II-68
Edit Overlay I-89, I-91, II-151, IV-190
edit points III-301
AIFF files and IV-147
described IV-420
edit points, moving to I-94
edit points. See In and Out points
Edit Selection tool II-179, II-349
Edit to Tape operations III-528
aborting IV-182
assemble editing IV-197–IV-199
described IV-420
device control and IV-183, IV-196
external monitors and I-213–I-215
insert editing IV-187, IV-200–IV-203
mastering settings IV-193
output options I-215
outputting multichannel audio IV-204–IV-205
overview IV-178
preview editing IV-187
problems with IV-405
requirements IV-188
steps in IV-197–IV-203
troubleshooting IV-405
Edit to Tape window I-77, I-92, IV-189–IV-193
EDL Access application IV-131
EDL Export dialog IV-123, IV-125–IV-130
EDL Import dialog IV-133–IV-134
EDL Notes setting IV-130
EDLs (Edit Decision Lists)
audio clip information IV-161
audio tracks and IV-140
clip names IV-134
described I-300, IV-119, IV-419
editing considerations IV-139–IV-141
effects and IV-125
elements of IV-121–IV-123
errors during export IV-125
exporting IV-124–IV-125, IV-125–IV-130
exporting audio information to IV-161
exporting for online editing IV-52
exporting sequences as IV-124–IV-125
export transition codes IV-142–IV-143
Final Cut Pro support I-22
formats IV-125, IV-139
importing IV-132–IV-135
improving IV-139–IV-141
incorrect timecode in IV-405
Key Level and III-378
Key tracks and III-378
limitations IV-132, IV-135
master clips and IV-43, IV-134
master tape settings IV-130
multiclips and II-250
multiple IV-161
nested sequences and II-418, IV-141
notes in IV-123, IV-130
opening IV-131
problems importing IV-408
reading information in IV-120
recapturing clips from IV-135
reel conflicts IV-128
reel names and I-240
reel names in IV-17
reviewing IV-131
RT-11 disk access IV-131
speed settings and IV-141
still frames and IV-141
streamlining exports IV-141
superimposed video and III-378
timecode and IV-161
titles IV-121, IV-125
transitions IV-127, IV-139, IV-141
transitions in II-384
V1 tracks and III-378
V2 tracks and III-378
vs. batch capture lists I-300
EDL Title setting IV-125
Effect Handling tab III-532, IV-300
effects
animating with keyframes III-217, III-249–III-282
creating favorites III-293
described I-20, IV-420
EDLs and IV-125
motion effects III-244–III-247
multiclips II-284
online editing and IV-60
real-time effects I-120, IV-431
rendering and III-534, III-546, III-563
settings I-76
sound effects III-179
switching angles with II-285
transitions II-381, II-382, II-405
effects filters III-157
Effects menu II-381–II-382
effects stems III-181
Effects tab II-284, II-381, II-382, II-405, III-161, III-293–
III-294, III-438, III-516
Eight-Point Garbage Matte filter III-210, III-404
electronics-to-electronics mode IV-213
elements (leader and trailer) IV-194, IV-195
elements (XML) IV-164, IV-168
emailing project files IV-61
embedded flags. See markers
Emboss filter III-213
emptying Trash IV-66
empty tracks II-126