Apple Final Cut Pro 5 User Manual
Page 1822
Index
471
F
Fade In, Fade Out transition II-393
fade-ins II-376, II-393
fade-outs II-376, II-393
fader banks III-103
faders IV-420
adjusting III-83–III-86
in control surfaces III-99, III-102, III-105
described III-71
Master fader III-73, III-86
fade-to-black transitions II-383
Fast Forward button IV-193
fast-forward in time graph III-330
fast motion III-307
Fast Start - Compressed Header option IV-255
Fast Start option IV-255
favorites IV-420
audio filters III-173
audio transitions II-390
creating III-293–III-294
deleting II-391
Favorites bin III-293
motion effects III-281–III-282
organizing III-296
renaming III-296
transitions III-296
Favorites bin II-391, III-293, III-296, III-297
Feather slider III-406
feedback in reverberation III-158
feet + frames timecode II-441
FF (frame counter) II-439
Fibre Channel arrays I-188
field dominance IV-337, IV-360
field dominance settings II-90
fields
frame rates and IV-379
of video images IV-420
File Attribute Mismatch dialog IV-73
file formats II-90
See also names of specific file formats
audio IV-236
compared to codecs IV-230
EDL file formats IV-125
graphics IV-235
images IV-235, IV-263
importable files I-305
QuickTime IV-228
QuickTime-compatible IV-246
video I-22–I-25
filenames
importance of IV-15
Media Manager settings IV-86
files
See also QuickTime movie files, names of specific
file formats
autosave files II-77
cache files IV-297
extensions for IV-272
importing I-305–I-310
naming I-37–I-38, I-241, I-273
offline files IV-66–IV-67
project files II-76
reducing size IV-253
render files II-90, II-410
saving IV-285
XML files II-250
aspect ratios IV-394
frame rate IV-382
history of IV-373–IV-375
film cameras IV-378
Film Safe property IV-32, IV-37, IV-50
film standards for timecode II-441
filmstrip display I-124
filter bars I-127, II-178, III-199, III-283, III-285
filter parameters I-128, III-186, IV-135
filters II-284, III-203–III-215
advantages of III-185
After Effects IV-25
After Effects filters III-202
applying to clips III-186–III-201
applying to multiple tracks III-292
audio filters III-18, III-161–III-163
blur filters III-203
border filters III-204
broadcast safe I-329
categories III-193
changing order of III-166
channel filters III-204
clips IV-130
color correction filters III-205
compression filters III-154
controls III-195–III-199
copying/pasting between clips III-162–III-163,
III-201, III-289
described IV-420
displaying in Timeline III-164
distort filters III-206
effects filters III-157–III-158
enabling/disabling III-165, III-193, III-200, III-439
equalization (EQ) filters III-152–III-154
expansion filters III-155
favorite filters III-173
filter bars III-199
FXScript effects language III-186, III-195
identifying as real-time effects III-520
image control filters III-207
included with Final Cut Pro III-203–III-215
keyframe controls III-253