Setting proper audio levels, Setting levels for capture, What reference level should you use for mixing – Apple Final Cut Pro 5 User Manual

Page 845: P. 58)

Advertising
background image

58

Part I

Media and Project Management

Setting Proper Audio Levels

When you work with audio, you need to make sure you set proper levels during
capture, mixing, and output.

Setting Levels for Capture

When you capture digital audio, you usually cannot make level adjustments because an
exact copy of the digital information is transferred to your hard disk. However, if you
are capturing analog audio using a third-party audio interface, make sure you set each
input channel so the meters in the Clip Settings tab of the Log and Capture window
match the audio meters on your video or audio device. For more information, see
Volume I, Chapter 20, “Capturing Audio.”

What Reference Level Should You Use for Mixing?

The dynamic range of your mix is dependent on the final viewing environment. For
example, movie theaters have large, relatively expensive sound systems that can
reproduce a large dynamic range. Television speakers are much smaller, and often the
listening environment has more ambient noise, so very quiet sounds may not even be
noticeable unless the overall signal is compressed and the level increased, which
reduces the dynamic range.

For example, television stations normally accommodate only 6 dB between the average
loudness and the peaks. Dolby Digital feature film soundtracks, on the other hand, can
accommodate up to 20 dB between average and peak levels. This is why loud sounds
in a movie theater sound so loud: they are much louder than the average level.

When you mix your final audio, you choose a consistent reference for the average level.
When you choose the average reference level, you are actually choosing how much
additional headroom you have before your signal distorts. The higher you set the
average level, the less safety margin you have for peaks in the signal. This means that
the loudest sounds in your mix cannot be much louder than the average levels, and so
the mix is less dynamic.

Venue

Acceptable amount of dynamic range

Theatrical Dolby Digital

20 dB

Average videotape

12 dB

Television broadcast

6 dB

Advertising