Apple Final Cut Pro 5 - Manual (Page 1859)

508 Index
using the Time Graph III-329–III-331
Time Remap tool III-323–III-327
Timer option IV-326
time scales in keyframe graphs III-263
times in filenames I-39
Time Source setting IV-326
timing information IV-195
timing signals I-297
Tint filter III-207
tip-ring connectors III-31
tip-ring-sleeve connectors III-31
titles
EDLs IV-121, IV-125
fitting on screen III-497
LiveType III-504
online editing and IV-60
overview III-495
text generators III-498–III-499
title clips III-500
title safe areas IV-438
title safe boundaries I-83, III-231–III-232, III-350,
III-497
To II-144
Tool Bench I-140, IV-439
color and brightness tools III-417
fader resolution and III-71
Video Scopes tab in III-424–III-427
Voice Over tab in III-139
Tool palette I-44, II-178–II-188, IV-439
tools
See also specific tool names
keyboard modifiers III-255
pen tools III-255
selection tools II-178–II-180, II-348–II-349
Timeline selection tools II-178–II-188
in Tool palette II-178–II-188
tools (pen tools) IV-292
tooltips I-47, IV-285
speed settings III-319
variable speed settings III-325
To Out option IV-212
TOSLINK port I-201
Total Disk Space field I-266
Total Media Time field I-266
Total setting IV-195
track audio meters III-55
trackballs
color correction filters and III-455
shortcuts III-455
track faders III-69
track header IV-439
Track Height control II-136, II-305
Track Height controls I-117, I-128
Track Hinter Settings option IV-255
tracking III-502
Track Layout pop-up menu I-117, I-129, II-136
track level meters III-72
Track pop-up menu II-364
tracks
See also audio tracks, video tracks
adding I-114
adding additional space beneath III-283–III-285
adding to sequences II-124–II-125, II-146
ambience III-181
audio. See audio tracks
audio played in real time III-529
Auto Select controls II-191–II-193
auxiliary timecode tracks II-47, II-255
control tracks IV-188
deleting from sequences II-126
described I-27, II-123, IV-439
destination tracks II-127–II-131
dialogue tracks III-181
disabled I-113
disabling II-133–II-134
disconnecting Source and Destination
controls II-129
display options I-129
dragging clips into II-131
finding items in II-189
gaps in II-209, II-209–II-211
height II-305
invisible tracks III-562, IV-291
Key tracks III-378
key tracks IV-139
layouts II-137
locked tracks II-130, II-132–II-133, II-347, IV-425
locking I-113
moving audio between II-307–II-308
moving clips between II-197
music III-181
music tracks IV-146
names II-307
number of I-124
offsets II-147
pasting clips onto II-202–II-205
QuickTime files IV-229, IV-231
resizing in Timeline II-135–II-136
ripple edits on multiple tracks II-336
scrolling through I-138
scrolling vertically through II-137–II-139
selecting II-178, II-185–II-188, II-191–II-193
selecting all clips on II-185
selecting for capture I-253–I-255
selecting items forward or backward II-186
selection tools II-185–II-188
separation II-147
in sequences II-86
sound effects III-181
switching angles II-279
timecode tracks II-442, II-447, IV-188
vertical height I-124