Apple Final Cut Pro 5 - Manual (Page 1833)

482 Index
audio scoring markers IV-243
chapter markers II-55, II-60, IV-217, IV-220,
IV-220–IV-221, IV-243
clip markers II-54
comments in II-60
compression markers II-55, II-60, IV-217, IV-220,
IV-221, IV-243
controls for I-80, I-95
deleting II-60, II-61
described II-53–II-56, IV-425
displaying II-56
editing into sequences II-69
exporting II-60
extending duration of II-67–II-68
finding items by II-189
moving II-64–II-65
moving clips with II-66
moving frame to II-63
moving playhead to I-94, II-62, II-63
music scoring markers III-18
QuickTime movie files and II-54
renaming II-57, II-60, II-64
scoring markers II-56, II-60
sequence markers II-54, III-18, IV-243
setting for clips I-80, I-95
setting for sequences I-80, I-95
in subclips I-273–I-275
timecode and II-65
in Timeline I-94
turning into subclips II-39
types of II-55
viewing in Browser II-69
working with I-273–I-275, II-53–II-54
Mark In and Mark Out buttons I-248, II-105, II-114,
II-367, II-368
Mark In button IV-191, IV-201
marking clips as in sync II-233
marking controls IV-191
Canvas I-80, I-95
device control I-232
Log and Capture window I-232
Logging tab I-251–I-252
Viewer I-74, I-80
Mark in Sync command II-234, II-290
Mark Long Frames command IV-110, IV-113
Mark Out button IV-191, IV-201
Mark Selection command II-117
Mark Split command II-239
markup languages, XML as IV-164
Mask Feather filter III-210, III-408–III-409
masks III-407–III-409, IV-425
alpha channels and III-387, III-407
described III-387
examples of using III-408
Image Mask filter III-407
masking portions of clips III-367
Mask Shape filter III-407
Soft Edges filter III-407
Mask Shape filter III-186, III-210, III-407
Master, Audio Merged option IV-126
Master area (Audio Mixer) III-68, III-73
Master audio meters III-55, III-74
Master Clip property IV-42
master clips I-57, III-186
affiliate clips and IV-15, IV-41–IV-42, IV-44
breaking relationships IV-45
copied clips and II-417
copied sequences and II-88
creating IV-43, IV-46–IV-48
creating from pasted sequences II-89
deleting IV-45
described II-78, IV-31, IV-426
duplicating IV-43
editing IV-43
freeze frame clips as IV-48
identifying IV-42
importing EDLs and IV-134
independent clips and IV-48
locating IV-48
match frame commands II-287
Media Manager settings IV-85, IV-90
merged clips as IV-48
multiclips and II-286
properties II-84, IV-49
sequence clips and II-430–II-433
Source property IV-42
subclips and II-35, II-38
subclips as IV-48
updating older projects and IV-27
Master Comment properties IV-38, IV-49
Master fader controls III-73, III-86
Master Gain control I-289
Mastering mode IV-190, IV-198, IV-201, IV-202,
IV-426
Mastering Settings tab IV-189, IV-193
Master mute button III-73
Master property IV-38
master shots III-434, IV-426
master tapes III-60, IV-120, IV-130, IV-426
Match Color indicator III-472
match cuts (matching on action) II-339
Match Frame button I-80
match frame editing IV-426
match frame operations
multiclips II-287
opening media files II-432
replace edits II-164
sequence clips II-431, II-433
match frames I-80, I-95
matching criteria for searches II-30
match-on-action IV-426
Match option II-30