Apple Final Cut Pro 5 User Manual

Page 1839

Advertising
background image

488

Index

logging and I-300
media management and IV-16
moving and I-37
offline/online workflows IV-18
reconnecting IV-68–IV-74
renaming files and I-58

Offline Files window IV-74–IV-75
Offline Items in Logging Bin option I-265
offline media files

described IV-64
ignoring IV-75
missing files and IV-67
recapturing at full resolution IV-59
XML notations for IV-168

Offline property IV-39
OfflineRT codec III-517
OfflineRT format I-180, I-182

data rates IV-369
editing IV-55–IV-60

OfflineRT sequence preset IV-101
Offline Status property IV-49
Off option for external video I-222
offset, capture I-207
offset of audio-recording devices III-138
offsets in multiclips II-259
OMF Audio Export dialog IV-160
OMF Export command IV-158
OMF format I-22, II-250, II-418, III-20

EDLs and IV-119
exporting IV-52
limitations of IV-159
size limits IV-160
video information in IV-61

Omit search option II-30
Omit Transitions setting IV-127
online editing

described IV-52
final refinements IV-60
finishing process IV-421
Media Manager settings IV-83
non-Final Cut Pro systems IV-60
output IV-60
recapturing full-resolution media IV-59
recapturing sequences for IV-79
sequence presets for IV-59
transferring projects IV-61

online editing suites

components I-163
setup I-160

online editing workflow I-23
onscreen help I-10, I-47
“On timecode break” pop-up menu I-280
On Timecode Break settings IV-286
opacity IV-428

adjusting in Timeline III-359–III-378
composite modes and III-361

copying settings III-288
examples of adjusting III-266–III-267

opacity keyframes IV-139
opacity overlay III-266–III-267
opacity overlays I-125
Opacity parameter III-221
Opacity slider III-221, III-360
Open command I-34, IV-45
opening

Compressor IV-224
external editors IV-298
media files IV-45
Media Manager IV-80
QuickTime Encoder IV-225

opening items

audio clips II-295
bins II-17
clips II-354
customized shortcut button bars I-156
multiple sequences II-414
nested sequences II-354
reopening last project II-74
saved screen layouts I-144
sequence clips II-428
sequences II-86
transitions II-405

Open Media Framework format. See OMF format
Open playhead sync option II-435
open standards, XML as IV-164
operating systems I-38
optical disks I-225
optimization, media files I-312
Optimize Hints for Server option IV-255
Option key III-122
Option key shortcuts

copying items II-202
moving and selecting II-202
split edits II-241

Options button I-214
Options option IV-255, IV-265
ordered timecode breaks I-279, IV-428
origin point for text III-502
outgoing clips II-346, II-362, II-367, II-400, IV-428
Outline Text generator III-498
out-of-gamut color III-551
out-of-phase sounds III-38
out-of-sync indicators II-221–II-222, IV-428
Out point inclusive rule II-102
Out point property IV-39, IV-50
Out points. See In and Out points
output channels III-61, III-87
Output Channel shortcut menu III-69
output formats

avoiding rendering II-89
multiclip exports II-250

output frames III-315

Advertising