Apple Final Cut Pro 5 User Manual
Page 1835
484
Index
Media Start and Media End fields II-446
Media Start and Media End points II-40, II-107
Media Start and Media End properties II-83
Media Start column in Browser I-301
Media Start header I-301
Media Start property IV-38, IV-49, IV-50
memory
allocated to Final Cut Pro IV-407, IV-408
described IV-430
maximizing real-time playback III-515
Undo levels and IV-282
voiceover requirements III-139
Memory & Cache tab IV-296–IV-297
memory cards I-311
menus on DVDs IV-215
merged clips
changing II-51
creating II-46–II-48, II-50–II-51
described I-35, II-45–II-46, II-79, IV-30, IV-426
dual system audio II-236
duration II-48–II-49
as master clips IV-43, IV-48
recapturing I-278
resyncing II-51
synchronization points II-46
sync relationships and II-219, II-226
timecode and II-449
messages
“Break in the Timecode” IV-405
“Media Offline” IV-65
“Servo Can’t Lock” IV-405
“Video card not supported for RT Effects” IV-403
during EDL export IV-125
“No shortcut” IV-273
messages. See alert messages
messages. See warnings
metadata I-273
microphones II-311, III-30, III-136, III-177, IV-321
MIDI interface
connecting control surfaces III-100
control surfaces and III-99
described III-99
installing III-99
selecting III-99
midrange frequencies (sound) III-39, III-153
mids IV-426
mids (gray tones) III-420
Mids Balance control III-454
Mids Reset button III-454
Mids Select Auto-balance Color button III-454
Mids slider III-447, III-450, III-456
midtones IV-426
MiniDisc recorders I-205
mini-DV camcorders I-313
mini-DV cassettes IV-426
mini-DV devices
format IV-137
insert editing and IV-187, IV-199
Minimum Overlap option II-259, II-265–II-266
Mirror filter III-212
Mirror on Desktop option I-214
“Mirror on desktop” option IV-404
“Missing DV Audio” setting IV-321
missing files
compared to offline IV-67
ignoring IV-75
Mixdown Audio checkbox II-421
Mixdown Audio command III-530, III-546
Mixdown command III-530, III-543, III-546
mixer automation IV-426
audio filters and III-167
control surfaces and III-106
deleting III-98
described III-89
keyframes in Timeline III-128
looping playback III-94–III-95
modifying III-96–III-97
recording audio filter automation III-167–III-168
recording fader and panning automation III-94–
III-95
recording keyframes III-92
setting keyframe preferences III-90
mixing audio I-20, I-142
mixing audio. See audio mixing
mixing down. See downmixes
mixing process IV-427
M-JPEG codec IV-234
M-JPEG format I-180, I-182, I-195, IV-369
modem adapters I-206
Mode pop-up menu IV-190
modifier keys I-147
Modify Timecode dialog II-447–II-448, IV-35
monitor out outputs IV-332
monitor output I-300
monitors
16:9 button IV-392
4:3 monitors IV-399
audio III-19, III-25, III-27, III-32–III-35
calibrating I-331
Digital Cinema Desktop feature I-216–I-218
external IV-209
external video monitors I-164
levels III-34
problems with IV-402, IV-406
real-time effects and III-515
record monitors IV-431
refresh rates and IV-403
resolution I-143
source monitors IV-435
standard definition (SD) III-342