Apple Final Cut Pro 5 - Manual (Page 1811)

460 Index
searching for II-28–II-34
selecting II-175–II-188, II-190, II-348–II-350
selecting for Media Manager IV-79, IV-94
selecting in Browser I-55
selecting multiple clips II-182
selecting tracks to capture I-253–I-255
sequence clips I-122, II-354, II-427–II-430, IV-433
shown in Timeline III-382
shuttling through I-101–I-102
sliding II-321–II-324
sliding frames to new times III-326
slipping II-372
snapping to points II-195–II-196
sorting II-27–II-28, II-99
source tapes I-36
speed I-119
speed adjustments IV-89
speed settings III-307–III-333
start and end timecode II-83
subclips I-35, I-273–I-275, I-278
subclips. See subclips
synced clip items I-108
synthesized. See generator clips
tail clips IV-437
thumbnail display I-124
timecode I-107
timecode breaks in I-280, I-281
timecode display II-441
timecode tracks IV-138
in Timeline II-94
title clips III-500
transferring projects to other systems IV-16
transitions II-377–II-384
trimming II-190, II-348–II-355, II-406–II-409
types of II-77–II-80, IV-29–IV-31
undoing changes in I-52, II-96
unused II-32
varying speeds I-101–I-102
video. See video clips
video levels I-325
volume II-293, III-109–III-113, III-127–III-129
XML elements for IV-168
Clip Settings tab I-233, I-253, I-287
clip time II-75, II-443, II-445
clock-based counters IV-326
Clock Wipe transition II-395, IV-143
Close Project command I-34
closing gaps II-209–II-210
closing items
projects I-34
sequences I-88, I-111
CMX 340 format IV-136, IV-140
CMX 3600 format IV-120, IV-136, IV-140
CMYK color space IV-415
codecs II-90
See also names of specific codecs
artifacts and IV-234
in capture presets IV-317
compared to file formats IV-230
data rates IV-369
described IV-233, IV-415
lossless IV-233, IV-364
lossy IV-365
output formats and IV-176
quality setting IV-317
QuickTime support IV-229
real-time effects III-517
selecting IV-250
sequence presets and IV-338
target data rate IV-251
temporal compression and IV-250
third-party IV-234
uncompressed items IV-233
updating older projects and IV-28
video codecs IV-233
for video file exchange IV-234
video formats and IV-350
video quality and IV-233–IV-234
video quality resolution settings III-525
Y´CbCr color space support IV-26
YUV processing and IV-28
codecs for imported files I-311
“Collision” message II-338, II-359
color
adjusting without color bars I-328
bit depth III-339
broadcast colors III-343
broadcast safe I-329, I-334
calibrating broadcast monitors with I-331–I-334
color bars III-553
color coding in Timeline II-212
computer display vs. broadcast video
monitor III-343
computer monitors and I-209
computer vs. broadcast video I-334
conversions III-552
correction I-210
distorted III-343
drop shadows III-221
duplicate frames coding I-130
external monitors and I-210
filter controls III-198
fonts III-501
gradients III-396
labels II-23
in render bar I-121
in render bars III-535–III-536
selecting III-198
shortcut buttons I-155
standards III-552
sync color coding I-106, I-108
video levels I-326