Apple Final Cut Pro 5 - Manual (Page 1827)

476 Index
frame rates IV-382
OfflineRT format and IV-55
high definition video. See HD video
high definition video format
pixel shape III-340
stills from III-349
Highlight generator III-492
high-precision YUV (Y´CbCr) III-554
high-range frequencies III-153
hinted QuickTime files IV-255
Hinted Streaming option IV-255
Histogram III-417, III-424, III-427, III-431–III-432,
IV-422
hold mattes III-385
home stereo systems I-211
house sync I-207, II-46
HSB controls III-198, III-501
H-split button III-301
hue IV-422
adjusting III-448, III-457, III-471
described III-419
font color III-501
in Vectorscope III-429
Hue, Saturation, and Brightness controls III-198
Hue controls III-198, III-446
Hue Matching controls III-448, III-457, III-471–III-476
Hue Reset button III-446
Hue slider I-328
Hum Remover filter III-18, III-156–III-157
I
i.Link protocol. See FireWire
icons in Browser IV-33–IV-34
icon view I-61, I-66–I-68, II-99–II-100, II-142–II-143
iDVD II-60
iDVD application IV-216, IV-222
IEEE 1394b connectors IV-372
IEEE 1394 protocol. See FireWire
I-frames IV-218, IV-220
Image+Wireframe mode III-236, III-237, III-274
Image+Wireframe setting I-83
image control filters III-207
image dimensions II-90
Image Mask filter III-210, III-407, III-408–III-409
images
calibrating I-322
dimensions of imported files I-311
image sequences I-318–I-320
importing I-306, I-316
images. See graphics
images. See graphics, still images
image sequences I-306, I-316, IV-246, IV-264–IV-265,
IV-423
Image Sequence Settings dialog I-317
Image setting I-83
Image Stabilizer filter III-214
iMovie IV-232, IV-246, IV-256
Implode transition II-394
Import For option IV-133
importing items
audio files I-313–I-315
batch lists I-227, I-303
vs. capturing I-306
clips with alpha channels III-374
cross fades and IV-159
described IV-423
EDLs IV-132–IV-135
file formats I-305
files I-305–I-310
Final Cut Pro XML Interchange Format I-228
folders I-307–I-310
graphics I-306, I-316
keyboard shortcut layouts I-144, I-151
layered Photoshop files III-369
LiveType projects III-504
media files into Final Cut Pro I-305–I-310
numbered image sequences I-316–I-320
Photoshop files III-369–III-370
still images I-316, III-368–III-370
video files I-310–I-312
XML files IV-169, IV-171
Import XML window IV-169, IV-171
IMX codec III-517
IMX format IV-365, IV-423
IMX media I-311
In and Out points
audio II-290, II-300
clearing II-120
copying transitions between II-385
creating sync beeps IV-149–IV-150
described I-74, II-98, II-101–II-106, IV-423, IV-428
editing clips and II-174
editing without II-174
in EDLs IV-120, IV-122
exporting image sequences IV-264
extending on subclips II-38
handles II-378
incoming clips II-368
marking I-95
marking controls for I-80, I-95, I-232, I-247
matching to clips II-115
Media Manager settings IV-85
moving playhead to I-79, II-118, IV-212
not setting II-110
outgoing clips II-367
Out point inclusive rule II-102
playing clips between I-99
playing sequences IV-212
printing to video IV-209
properties IV-32
removing II-120