Apple Final Cut Pro 5 - Manual (Page 1810)

Index 459
cropping III-243
currently selected clips II-176
cutting II-213–II-215
deleting from projects I-58
described I-28, IV-415
deselecting II-183
disabling audio/video tracks in III-382–III-383
displaying in Transition Editor II-404
distorting shape III-242
dragging to Timeline II-131, II-141–II-147
duplicate frames I-131
duplicate names I-263
duration II-106, II-217, II-354–II-355, II-408–II-409,
III-347
DV video and fuzziness IV-406
editing III-373
editing into sequences II-169–II-170
editing multiple clips II-142–II-143
in EDLs IV-120, IV-126
exporting audio from IV-236
exporting to QuickTime IV-237
filenames I-241, I-263, I-273
filters III-186–III-201, IV-130
frame rates I-268
ganging playhead options II-436
generator clips I-72, III-489–III-494
handles I-248, I-266, II-101, II-378
head clips IV-422
heads and tails II-378
hiding portions of III-367
In and Out points I-80, I-95, I-232, I-247, II-98,
II-101–II-106, II-115, II-116, II-169, II-169–II-174
independent clips I-309, II-41, II-430
independent clips. See independent clips
jogging through I-102
keyframe effects and III-251–III-267
keyframes I-80, I-95
keyframes in III-123–III-124
labels I-119
labels for II-23–II-26
layering in the Timeline III-357
linked clip items II-146
linked clips I-119, II-180, II-220
links to source media IV-65–IV-67
listing recently used I-86
LiveType clips III-505
logging IV-137
logging process I-226–I-228, I-237, I-249–I-251,
I-256–I-257
looping playback I-103
making invisible III-382
managing. See media management
manipulating in the Canvas III-236–III-247
markers I-80, I-95, I-252, II-54, II-55, II-57, II-59
marking while logging I-251–I-252
master clips I-57 master clips. See master clips
matching audio for I-80, I-95
matching video for I-80, I-95
media files and I-35–I-37, I-276
media files for II-28, II-83
merged clips I-35, I-278
merged clips. See merged clips
modifying timecode in II-446–II-449
motion paths for III-272
motion path speed III-278–III-280
motion settings III-218–III-220
moving II-66, II-196–II-199, II-355, II-356, III-223–
III-224, III-241, III-357
moving between III-437
moving playhead I-93
multiclip layouts III-225
multiclips. See multiclips
names IV-17, IV-86, IV-130, IV-134
naming conventions II-251
in nested sequences II-420–II-421
notes about I-250
offline IV-64
offline clips I-36, II-79
opacity III-263–III-267, III-356, III-358–III-360
opening I-72–I-73, I-98, II-301, II-354, II-428
opening in external editors IV-298
opening using Timeline motion bars III-285
organizing II-15–II-26, II-142–II-143
outgoing and incoming II-346, II-362, II-367,
II-368, II-400
pan III-117–III-120, III-132–III-134
parameters III-251–III-267
playback speed III-308–III-310, III-314
playing I-77, I-92, I-98–I-104
playing in reverse III-313, III-314
properties II-80–II-85, IV-34–IV-40
recapturing I-265, I-278, I-283, IV-135
recently accessed IV-283
reconnecting to files I-36
redoing changes in I-52, II-96
reel names I-246
in reference movies IV-240
relationships IV-44
removing attributes III-291
removing from sequences II-206–II-208
renaming I-58
renaming in XML Interchange Format IV-167
replacing II-161–II-162
replacing sections of II-165–II-166
rerendering IV-243
resizing name labels I-139
resyncing II-228–II-232
ripple edits II-338
rotating III-241
scaling III-240, III-242
scrubbing I-67, I-100