Apple Final Cut Pro 5 - Manual (Page 1866)

Index 515
videotape timecode II-439
video tracks
See also audio tracks, tracks
adding I-114
adding to sequences II-146
analyzing IV-111, IV-112
applying filters to multiple tracks III-292
capturing I-233
compression IV-258
described II-123, IV-441
destination tracks II-127–II-130
disabling I-113
disabling in clips III-381–III-383
display size I-128
dragging clips into II-131
for DVDs IV-217
editing to tape operations IV-191
in EDLs IV-121, IV-126
invisible IV-291
locking I-113, II-132–II-133
number of I-124
in QuickTime movies IV-229, IV-242
resizing II-135
scrolling through I-138
selecting all clips on II-185
selecting for capture I-253–I-255
soloing III-383
Source controls I-113
source tracks II-129
switching angles II-279
in Timeline I-113, I-114
video transition icon IV-34
video transitions. See transitions
Vid Rate property II-448, IV-40, IV-50
View buttons III-68, III-75, IV-440
Viewer
activating I-72
adjusting audio levels III-21, III-114–III-116
audio controls II-292–II-294
audio level controls III-76
clips in II-301, II-354–II-355
closing I-72
compared to Canvas I-97
controls in I-73–I-74, I-77–I-79
creating motion effects in III-225–III-235
described I-71–I-74, IV-440
editing audio in II-295–II-297, II-301–II-303
Filters tab III-192–III-195
illustrated I-44
In and Out point settings II-105–II-106
markers in II-53–II-54, II-56
match frame operations II-431
moving and resizing window I-139
moving playhead in III-171
multichannel audio clips in I-291
multiclips in II-267–II-273
navigating in I-97–I-104
opening I-72
opening clips in III-285
opening exported files in IV-276
overlapping IV-403
Playhead Sync pop-up menu I-84, I-96
playing clips in I-98–I-100
resizing clips in II-354–II-355
ripple edits in II-333
roll edits in II-343
sequence clips in II-218, II-427–II-430
sequences in II-86
setting stereo pan/spread in III-118–III-120
source clips in I-113
split edits in II-238, II-239–II-240, II-243–II-246
switching to Canvas or Timeline II-429
synchronizing playhead in windows II-434–II-437
tabs I-49, I-73, I-75–I-77
timecode overlays I-106
trimming clips in II-301–II-303, II-346
turning off audio scrubbing in II-300
“Unrendered” message III-537
uses I-71–I-72
using timecode in I-105–I-108
viewing alpha channels in III-379–III-380
viewing filters in III-165
viewing RGB channels in III-379–III-380
View pop-up menu I-81
working with keyframes in III-97, III-122–III-126,
III-253–III-262
working with markers in II-53–II-54
Zoom pop-up menu I-81
View Final/Matte/Source button III-478
View Finder filter III-215
View menu I-213, II-218, II-428
View Native Speed command III-333
View Native Speed option II-75, II-442
View pop-up menu I-83, I-96
Canvas I-83, I-96
Viewer I-74, I-81, I-90
visibility of audio tracks III-69
visibility of tracks IV-291
visible timecode. See window burns
VITC (vertical interval timecode) IV-326, IV-331,
IV-386, IV-441
Vocal DeEsser filter III-157
Vocal DePopper filter III-157
voiceover
audio equipment for III-137–III-139
audio-recording devices for III-137
audio track placement III-145–III-147, III-149
eliminating microphone pops III-177
handles III-150
memory requirements III-139
multiple takes III-149
recording III-136–III-149