Apple Final Cut Pro 5 - Manual (Page 1852)

Index 501
Shake files I-306
Shapes generator III-493
Sharpen filter III-212
Shift key II-182
shooting ratios I-32, I-181
shooting scripts I-259
shortcut buttons I-46, I-144, I-153–I-156
shortcut menus IV-273, IV-434
using I-46–I-47
viewing I-46–I-47
Shot/Take field I-250
Shot/Take property IV-39, IV-49
shot-reverse-shot editing III-441
shots IV-434
Show as Sq. Pixels setting I-82
Show Audio Waveforms option I-125
Show Current command I-222
Show Duplicate Frames option II-391
Show Match Frame button I-80, I-95
Show Multiclip Angles command II-283
Show Multiclip Overlays command II-269
Show Overlays command II-104
Show Timecode Overlays command II-445
Show Tooltips option IV-285
shuffle edits II-200–II-201, IV-434
shuttle control II-365
in Canvas I-89, I-94
described IV-434
in Edit to Tape window IV-190
in Viewer I-74, I-79
Log and Capture window I-231
navigating through clips I-101–I-102
shuttling IV-434
sibilant sounds III-157
signal-to-noise ratio III-42, IV-434
sine waves III-38
Single Frames option I-222
Size option IV-249
Size property IV-39, IV-50
slate IV-194, IV-434
Slate buttons I-249
slide edits II-321–II-324, II-388, IV-434
slider controls III-195
sliders IV-434
Slide tool II-180, II-323
Slide transition II-394
sliding frames
to new times III-326
Time Remap tool III-323
slip edits IV-434
clips with transitions II-388
performing II-325–II-329
slipping both edit points II-120
subframe units II-312
Slip into Sync command II-228, II-230
Slip Item tool II-120
Slip Others into Sync command II-232
Slip tool II-180, II-230, II-241, II-325
slow motion III-307
strobe effects III-222, III-312
in time graph III-329
slow motion effects IV-378, IV-380
Slug generator III-490, III-493, IV-213
slugs II-383, III-490, IV-435
smoothing keyframes III-268, III-271
Smooth Point tool II-133
SMPTE (Society of Motion Picture and Television
Engineers) organization IV-435
SMPTE D9 format IV-368
SMPTE standard timecode II-439
SMPTE timecode I-25, IV-328
SMPTE wipe pattern II-384
snapping
moving clips with snap points II-66
playhead to markers II-63
in scrubber bar I-93
in Timeline I-119, II-195–II-196
trimming and II-347
turning on/off II-196
in Viewer I-78
Snapping button II-196, II-347, IV-435
snapping playheads IV-435
Society of Motion Picture and Television Engineers
(SMPTE) I-25
Soft Edges filter III-186, III-211, III-407
softening items
color corrected images III-477
desaturation effects III-484
edges of keyed subjects III-398, III-401
Softening slider III-477
Soft Light compositing mode III-365
Softness slider III-221
software real-time effects IV-55–IV-60
audio mixing and III-530
codecs III-517
controls III-519
display quality III-517
playback III-510
settings III-521–III-528
still frames III-516
superimpositions III-516
software updates I-11
Solarize filter III-213
solid-state memory cards I-311
solo button III-70, III-82
solo control I-118
solo controls III-79
Solo Item command III-383
Sony 5000 format IV-133, IV-136, IV-140
Sony 9100 format IV-136, IV-140
Sony LANC protocol IV-329
Sony RS-232 protocol IV-329