Apple Final Cut Pro 5 User Manual
Page 1847
496
Index
order of III-539
preferences IV-287, IV-293
printing to video and IV-181, IV-199, IV-203,
IV-210, IV-211
quality levels for IV-181
quality of audio exports IV-156
reasons for III-534
reducing time for III-564
reference movies and IV-240
render files. See render files
Render Manager. See Render Manager
sequences III-539–III-540, III-544–III-545
settings III-549–III-553, III-556, III-557–III-558,
IV-340–IV-341
testing III-564
tips III-563
unrendered effects IV-211
Video Processing tab settings III-553
rendering process
audio mixdown II-421
avoiding II-90
described II-410
file formats and I-22
nested sequences and II-418
render files II-90, II-410
single frames I-222
transitions II-410–II-411
Render Manager III-560–III-561
Render Only command III-543
render status bar I-121
render status bars III-519
replace editing IV-431
replace edits I-90
described II-153
In and Out points and II-160–II-161
keyboard shortcuts II-152
performing II-160–II-166
resynchronizing audio/video clips II-163
rules for II-160–II-161
Replace Find Results option II-30
Replicate filter III-213
Report Dropped Frames setting IV-286
resampling
rendering audio III-543
render status and III-538
Reset button II-294, II-403, III-123, III-160
Reset Match Color button III-472
reset timecode breaks I-279, I-282, IV-431
Reset Time Display checkbox II-75
resetting filters III-193
resize editing IV-431
resize edits II-354–II-355, II-401, II-407
Resize pointer II-351, IV-432
Resize Window pointer I-141
resizing items
resizing items. See scaling items
resizing tracks in Timeline II-135–II-136
resolution
capturing clips and I-276, I-283
display monitors I-143
graphics clips and III-338–III-340
images and III-338–III-340
QuickView settings III-304
rendered effects IV-341
rendering and III-558
still images IV-262
Resolution option IV-341
restarting batch capture I-268
Restore Project command II-76, IV-22–IV-23
Restore Window Layout command I-144
restoring projects II-76–II-77
Results option II-30
resynchronizing items
angles in multiclips II-272
merged clips II-51
replace edits II-163
Reveal in Finder command II-28
Reveal Master Clip command II-287, II-432, IV-48
reverberation III-27, III-157
Reverb filter III-157
Reverse Alpha command III-375
Reverse Alpha property IV-32, IV-39, IV-50
reverse effects IV-159
Reverse option IV-213
reverse play I-98
reverse playback III-313, III-314, III-322, III-332
reverse shots IV-432
Reverse Transition button II-403
Revert Project command II-76, IV-20
Rewind button IV-192
RGB Balance filter III-205
RGB channels III-379–III-380
RGB color space I-84, I-310, I-323, II-90, IV-353
Component RGB IV-371
compositing and III-552
recording methods and IV-361
rendering Y´CbCr into III-552
settings III-554
updating projects and IV-25, IV-432
working in III-549, III-552
RGB mode III-237, III-379
ribbon cables I-185
Rich Text Format files I-304
right output channel III-124
rim lights (back lights) IV-412
ripple deletes. See ripple edits
Ripple Dissolve transition II-393, IV-142
ripple editing IV-432
ripple edits