Apple Final Cut Pro 5 - Manual (Page 1840)

Index 489
output ports I-160
audio III-24
MIDI connections III-101
output in postproduction process I-20
output process
anamorphic video IV-399
Edit to Tape command IV-178
media management and IV-17
online editing workflow and IV-60
output described IV-428
playback settings IV-181
Print to Video command IV-178
recording from Timeline IV-179
output requirements
Betacam SP output IV-177
Digital Betacam IV-177
DV output IV-177
VHS output IV-177
Outputs pop-up menu IV-343
Out Shift indicator II-367
Oval Iris transition IV-142
Oval transition II-393
overlapping items in Timeline II-221
overlapping timecode II-259, II-265–II-266
Overlay compositing mode III-365
overlays
adjusting III-112, III-125, III-171, III-259
audio II-305, III-120
Canvas Edit Overlay II-424
described I-83
displaying II-181, II-305
Edit Overlay I-91
ends of clips II-104
level overlays II-292, III-116
for multiclips II-269
pan overlays II-292, III-120
timecode overlays I-83, II-445
overlays, audio IV-150
oversaturated color I-326
oversaturation III-452, III-457
overscan area IV-428
overtones III-39
overwrite editing IV-428
overwrite edits I-90
angles in multiclips II-272
avoiding nested sequences II-425
as default II-151
described II-153
keyboard shortcuts II-152
performing II-143–II-145, II-157–II-158
in sequences II-416
in Timeline II-143
overwrite with transition edits I-90, II-152, II-153,
II-158–II-159, II-379
P
P2 (Professional Plug-in) IV-429
Packet Duration Limit option IV-255
packets IV-255
Packet Size Limit option IV-255
Page Peel transition II-393, IV-142
paired track names II-307
PAL codec IV-231, IV-233
PAL format IV-352
24 @ 25 PAL format II-449, II-451
color bar standards I-322
contrast levels I-334
described I-24, IV-429
equipment IV-373
fps IV-378
frame rates IV-382
non-drop frame timecode II-441
OfflineRT format and IV-55
recompressing IV-82
PAL formats III-341
PAL monitors IV-402
pan IV-159
adjusting III-21
adjusting for clips III-87–III-89, III-119–III-120
audio tracks III-71
changing in Timeline III-117
controlling with keyframes III-87–III-96, III-122–
III-126, III-132–III-134
control surfaces and III-99
copying settings III-289
overlays III-120
recording keyframes III-90–III-93
recording pan automation III-75
setting in Viewer III-118–III-120
tips for working with III-96
Panasonic P2 cards I-311
Panasonic RS-232 protocol IV-329
Panasonic RS-422 protocol IV-329
Pan attribute III-120
pan controls III-65, III-99
Pan Keyframe button II-294, III-123
Pan keyframe navigation buttons II-294, III-123
pan keyframes IV-150
deleting III-98
modifying III-96
recording III-90
recording with control surfaces III-106
pan overlay II-292, II-294, III-120
Pan slider II-293
Pan sliders III-71, III-118–III-120
Parade scope III-417, III-424, III-432–III-433, IV-429
parallel (Ultra) ATA disks I-185
parameter controls III-193
parameters. See motion parameters, threshold
parameter, etc.