Roland Fantom-X7 - Manual (Page 283)

283
Effects List
44: LONG DELAY
A delay that provides a long delay time.
fig.MFX-44
45: SERIAL DELAY
This delay connects two delay units in series. Feedback can be
applied independently to each delay unit, allowing you to produce
complex delay sounds.
fig.MFX-45
46: MODULATION DELAY
Adds modulation to the delayed sound.
When Feedback Mode is NORMAL:
fig.MFX-46a
When Feedback Mode is CROSS:
fig.MFX-46b
Parameter Range Explanation
Delay Time 0–2600 ms, note Delay time from when the
original sound is heard to
when the delay sound is
heard
Phase NORMAL, INVERSE Phase of the delay (NORMAL:
non-inverted, INVERT: in-
verted)
Feedback # -98– +98% Proportion of the delay sound
that is to be returned to the in-
put (negative values invert
the phase)
HF Damp 200–8000 Hz,
BYPASS Frequency at which the high-
frequency content of the de-
layed sound will be cut (BY-
PASS: no cut)
Pan # L64–63R Panning of the delay sound
Low Gain -15– +15 dB Amount of boost/cut for the
high-frequency range
High Gain -15– +15 dB Amount of boost/cut for the
high-frequency range
Balance # D100:0W–D0:100W Volume balance of the origi-
nal sound (D) and delay
sound (W)
Level 0–127 Output volume
Parameter Range Explanation
Delay1 Time 0–1300 ms, note Delay time from when sound
is input to delay 1 until the de-
lay sound is heard
Delay1
Feedback # -98– +98% Proportion of the delay sound
that is to be returned to the in-
put of delay 1 (negative values
invert the phase)
Delay1 HF
Damp 200–8000 Hz,
BYPASS Frequency at which the high-
frequency content of the de-
layed sound of delay 1 will be
cut (BYPASS: no cut)
Delay2 Time 0–1300 ms, note Delay time from when sound
is input to delay 2 until the de-
lay sound is heard
Delay2
Feedback # -98– +98% Proportion of the delay sound
that is to be returned to the in-
put of delay 2 (negative values
invert the phase)
L in
R in
L out
R out
2-Band
EQ
Pan R
Pan L
2-Band
EQ
Feedback
Long Delay
R in R out
L in L out
Feedback 1
Pan L
Pan R
Delay 1
Feedback 2
Delay 2
Delay2 HF
Damp 200–8000 Hz,
BYPASS Frequency at which the high-
frequency content of the de-
layed sound of delay 2 will be
cut (BYPASS: no cut)
Pan # L64–63R Panning of the delay sound
Low Gain -15– +15 dB Amount of boost/cut for the
low-frequency range
High Gain -15– +15 dB Amount of boost/cut for the
high-frequency range
Balance # D100:0W–D0:100W Volume balance of the origi-
nal sound (D) and delay
sound (W)
Level 0–127 Output volume
Parameter Value Description
Delay Left 0–1300 ms,
note Adjusts the time until the delay sound
is heard.
Delay Right
Feedback
Mode
NORMAL,
CROSS Selects the way in which delay sound is
fed back into the effect (See the figures
above.)
Feedback # -98– +98 % Adjusts the amount of the delay sound
that’s fed back into the effect. Negative
(-) settings invert the phase.
HF Damp 200–8000 Hz,
BYPASS Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don’t want to filter out any
high frequencies, set this parameter to
BYPASS.
Rate # 0.05–10.00 Hz,
note Frequency of modulation
Depth 0–127 Depth of modulation
Phase 0-180 deg Spatial spread of the sound
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance # D100:0W–
D0:100W Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level
Parameter Range Explanation
R in R out
L in L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
Modulation
Modulation
R in R out
L in L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
Modulation
Modulation
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