KORG Triton Studio - Manual (Page 109)

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Metronome Precount [Off, 4, 8, 3, 6]
Specifies whether the metronome will sound a countdown
when you use “Trigger” Sampling START SW to begin
sampling.
This can be set only if “Trigger” is set to Sampling START
SW.
Off: Sampling will begin immediately when you press the
SAMPLING [START/STOP] key from recording-standby
mode.
4, 8, 3, 6:
When you press the SAMPLING [START/STOP]
key from recording-standby mode, the metronome will
count the specified number of beats at the “ (Tempo)”
tempo, and then sampling will begin. If you set this to 4,
sampling will begin on the count of 0 after a pre-count of 4–
3–2–1–0.
The output destination and level of the metronome
sound are specified by Metronome Setup (0–3c).
Resample [Manual, Auto]
Specifies how resampling will occur.
This can be set only if “Trigger” is set to Sampling START
SW.
The process of sampling a sample (or samples) is called “res-
ampling.”
You can apply effects to a sample and then resample it, or
resample a performance of samples that you play.
Manual:
This is the normal method. Use this when you want
to sample an external input sound. If a sample is already
assigned, the sample assigned for playing from the keyboard
will be resampled together with the external input sound.
Auto: The sample assigned to the index will be resampled
automatically. Use this when you want to apply an effect to
an existung sample and resample the results.
1 Set “Key” to the keyboard location where the sample you
that you want to resample is assigned.
Sampling will not be possible if you specify a key to
which a sample has not been assigned.
2 If you want to apply an effect, go to the P8: Routing page
and set “BUS (IFX) Select” (8–1b) to IFX1–5 to specify
the insert effect that you want to use. Then set “Source
BUS
” (0–2b) to L/R.
3 Press the SAMPLING [REC] key to enter record-ready
mode.
4 When you press the SAMPLING [START/STOP] key, the
current sample will play back automatically, and the res-
ampling will begin. If you play the keyboard at this time,
the sound you play will be resampled together with the
source sample.
5 When the sample assigned to the “Key” has played back
for its full length, resampling will end automatically.
Alternatively, you can stop resampling by pressing the
SAMPLING [START/STOP] key once again.
When resampling ends, the “BUS (IFX) Select” (8–1b)
setting will automatically be reset to L/R. Please be
aware of this if you want to resample once again.
The parameters of the newly created sample will be
automatically set the same as the source sample when
played back.
Key [C–1...G9]
When “Resample” is set to Auto, this specifies the note to
which the sample to be resampled is assigned.
This can be set only if “Trigger” is set to Sampling START
SW.
(
☞For the resampling procedure, refer to “Resample”
Auto .)
Level [–63dB ... 0dB]
When sampling with “Trigger” set to Threshold, this speci-
fies the level at which sampling will begin. This can be set
only when “Trigger” is set to Threshold. (
☞Refer to step 3
of the “Trigger” Threshold procedure.)
(Tempo) [040...240]
This sets the tempo of the count-down when “Metronome
Precount” is used.
The tempo specified here will also be used when the LFO or
delay time of the insert effect is controlled by the BPM/
MIDI SYNC function during sampling (
☞p.248). This can
also be set by the [TEMPO] knob.
Pre Trigger REC [000...500ms]
If you want a portion of sound immediately before the start
of sampling to be included in the recorded sample, set this
parameter to specify the length.
When sampling with “Trigger” Threshold, sampling will
start when the input signal exceeds the “Level” threshold
level. However if the “Level” setting causes a portion of the
attack to be lost, you can set the “Pre Trigger REC” parame-
ter to capture the early attack as well.
When sampling with “Trigger” Sampling START SW, it is
best to use “Metronome Precount” so that the instrumental
performance etc. is sampled in tempo. If the performance is
ahead of the tempo, this Pre Trigger REC parameter lets you
sample without losing any of it.
If you increase this setting, you will always be sampling
an unneeded portion ahead of the desired sample. Nor-
mally you should set this to 000 ms, and specify the
minimum required length when necessary.
ADC OVERLOAD !!
The “ADC OVERLOAD !!” indication will appear if the sig-
nal level from AUDIO INPUT 1 and 2 exceeds the maximum
level. If this occurs, adjust the [LEVEL] knob or the output
level of the external sound source (
☞“Recording Level [dB]”
0–1d).
0–2c: Recording Level [dB]
Recording Level [dB] [–inf, –72.0... 0.0...+18.0]
☞0–1d
0–3: Preference
0–1
0–3a
0–3b
0–3c