KORG Triton Studio - Manual (Page 256)

245
Appendices
• If you select the same controller as an “AMS” and set
separate intensities for Filter A (Low Pass Filter)
“Intensity” and Filter B (High Pass Filter) “Intensity,”
you can operate a single controller to simultaneously
control the cutoff frequencies of both filters.
Resonance (Program P3: 3–1b)
This can be used when the “Filter Type” is Low Pass Reso-
nance
. The resonance level can be controlled by EG, LFO,
keyboard tracking, controllers or tempo etc.
• If you select Filter KTrk or Amp KTrk as the “AMS”,
you can use the filter or amp keyboard tracking settings
to control the resonance level. For example if the amp
keyboard tracking parameters “Ramp Low” and “Ramp
High” are set to positive (+) values, Amp KTrk [+/+] is
selected as the “AMS”, and “Intensity” it set to a
positive (+)
value, playing toward either end of the
keyboard will cause amp keyboard tracking to increase
the volume, and “AMS” to raise the resonance level.
• You can select a controller as the “AMS”, and apply
resonance when desired by operating the controller.
• You can select LFO1 or 2 as the “AMS”, and use the LFO
to modulate the resonance level.
Filter EG Intensity (Program P3: 3–2b)
Filter EG intensity can be controlled by a controller or tempo
etc. You can use “Intensity to A” and “Intensity to B” to
independently specify the intensity for Filter A and B.
• If you select JS –Y:CC#02 as the “AMS” and set “Int to
A” and “Int to B” to a positive (+) value, moving the
joystick in the –Y direction will gradually increase the
effect of the Filter EG. If you set “Int to A” and “Int to B”
to a negative (–) value, the effect of the Filter EG will be
inverted.
• If you select Ribbon:CC#16 as the “AMS” and set “Int to
A” and “Int to B” to a positive (+) value, operating the
ribbon controller toward the right will gradually
increase the effect of the Filter EG. Operating the ribbon
controller toward the left will gradually increase the
effect of the Filter EG with an inverted phase.
Filter LFO 1/2 Intensity (Program P3: 3–3a, 3–3b)
The LFO 1/2 filter modulation intensity can be controlled by
EG, keyboard tracking, controller, or tempo. You can use
“Intensity to A” and “Intensity to B” to independently spec-
ify the intensity for Filter A and B.
• If you select EG as the “AMS”, the auto-wah effect
produced by LFO modulation will be controlled by the
changes in EG level. If you set “Intensity to A” and
“Intensity to B” to a positive (+) value, the wah effect
will deepen as the EG level rises, and will lessen as the
EG level falls. With negative (–) values of “Intensity to
A” and “Intensity to B,” the phase of the LFO will be
inverted.
• If you use a controller such as SW1 or 2 as the “AMS”,
you can apply the auto-wah effect when desired by
pressing the [SW1] or [SW2] key.
Amp (Program P4: 4–2b)
The volume can be controlled by the pitch/filter EG, con-
trollers, or tempo etc.
• If an EG or controller that changes with a positive (+)
value (Amp EG, EXT(+), EXT(SW)) is selected as the
“AMS”, setting the “Intensity” to +99 will allow you to
increase the volume to a maximum of eight times that of
the current volume.
• If an EG, LFO, or controller that changes with a ± value
(Pitch EG, Filter EG, LFO, KT, EXT(+–) is selected as the
“AMS”, setting the “Intensity” to +99 will allow you to
increase the volume to a maximum of eight times that of
the current volume (for positive (+) changes of the
“AMS”), or to decrease the volume to zero (for negative
(–) changes of the “AMS”).
• In addition to the time-variant changes in volume
produced by the amp EG, you can also make the volume
change in synchronization with the pitch/filter EG.
Select PitchEG or FilterEG as the “AMS”, and adjust
“Intensity.” If you wish to cancel the effect of the
AmpEG and use the pitch/filter EG to control the
volume, set all levels of the AmpEG to +99.
Amp LFO 1/2 Intensity (Program P4: 4–2c)
The amp modulation intensity of LFO 1/2 can be controlled
by EG, keyboard tracking, controllers, or tempo etc.
• If you select EG as the “AMS”, the depth of the tremolo
effect produced by LFO modulation will change in
synchronization with the changes in EG level. If you set
“Intensity” to a positive (+) value, the tremolo effect will
deepen as the EG level rises, and lessen as the EG level
falls. If “Intensity” is set to a negative (–) value, the
phase of the LFO will be inverted.
• If select a controller such as SW1 or 2 as the “AMS”, you
can apply the tremolo effect by pressing the [SW1] or
[SW2] key when desired.
Pan (Program P4: 4–1b)
The oscillator pan can be controlled by EG, LFO, keyboard
tracking, controllers, or tempo etc.
• If you select Note Number as the “AMS” and set
“Intensity” to +50, panning will be controlled by the
keyboard position: center at the C4 note, far right at C6
or above, and far left at C2 or below.
• If EG is selected as the “AMS”, the oscillator pan will be
controlled in synchronization with the changes in EG
level. If “Intensity” is set to a positive (+) value, the pan
will move toward the right as the EG level increases, and
toward the left as the EG level decreases. If “Intensity” is
set to a negative (–) value, the opposite effect will occur.
LFO1/2
–99...0...+99
KT(Flt KTrk, Amp KTrk)
–99...0...+99
KT(Note Number) *1
...36(C2)...60(C4)...84(C6)...
JS X/Ribbon:CC#16
–Max...0...+Max
EXT(+) *2
0...127
EXT(+–) *3
–Max...0...+Max
EXT(Tempo) *4
( ) = ...60...120...240...
dedicated parameter
–
–
–1...0...+1[Octave]
–1...0...+1[Octave]
–1...0...+1[Octave] dedicated parameter
...–1...0...+1...[Octave]
...–1...0...+1...[Octave]
–1...0...+1[Octave] *5
–1...0...+1[Octave]
–1...0...+1[Octave]
0...+1[Octave]
0...+1[Octave]
0...+1[Octave] –1...0...+1[Octave]
–1...0...+1[Octave]
–1...0...+1[Octave] ...–1...0...+1...[Octave]
...–1...0...+1...[Octave]
...–1...0...+1...[Octave]
dedicated parameter
–99x2...0...+99x2
–
–
–
–99...0...+99
–
–99...0...+99
–
...–99...0...+99...
–
...–99...0...+99...
–99...0...+99
–99...0...+99
–99...0...+99
–99...0...+99 0...+99
0...+99
0...+99
0...+99 –99...0...+99
–99...0...+99
–99...0...+99
–99...0...+99 ...–99...0...+99...
...–99...0...+99...
...–99...0...+99...
...–99...0...+99...
dedicated parameter
–
–127...0...+127
–
–99...0...+99
–63...0...+63
–
...–99...0...+99...
...–63...0...+63...
value x(0...1...8)
–99...0...+99
–63...0...+63
value x(1...8)
0...+99
0...+63
value x(0...1...8)
–99...0...+99
–63...0...+63
value x(0...1...8...)
...–99...0...+99...
...–63...0...+63...
–
–
value x(1/128...1...128)
–99...0...+99
value x(1/64...1...64)
value x(1/64...1...64)
–99...0...+99
value x(...1/64...1...64...)
value x(...1/64...1...64...)
–99...0...+99
value x(1/64...1...64)
value x(1/64...1...64)
0...+99
value x(1...64)
value x(1...64)
–99...0...+99
value x(1/64...1...64)
value x(1/64...1...64)
–99...0...+99
value x(...1/64...1...64...)
value x(...1/64...1...64...) *8