KORG Triton Studio - Manual (Page 76)

65
Sequencer
P0
P1
P2
P3
P4
P5
P6
P7
P8
P9
Here you can select whether or not to apply filtering to the
MIDI data received by tracks 1–16. For example even if two
tracks are receiving the same MIDI channels, one can be
made to respond to damper pedal activity while the other
does not.
These MIDI filter settings have no effect on the MIDI
messages that have already been recorded.
These settings affect the MIDI messages that are trans-
mitted when you adjust program, pan, volume, porta-
mento and send 1/2 parameters of a track whose
“Status” (2–1a/2a) is set to BTH, EXT, or EX2.
On (checked): Reception of MIDI data is enabled. Tracks
whose “Status” (2–1a/2a) is INT or BTH will receive these
types of MIDI messages on their respective channels. The
type of effects that are checked will be applied to the pro-
gram of each track when the TRITON STUDIO’s controllers
are operated or when MIDI data is received. (The effect
dynamic modulation function is not affected by these set-
tings.) Settings that regulate MIDI transmission/reception
of the TRITON STUDIO itself are made in MIDI Filter (Glo-
bal P1: 1–1b).
If the user-assignable controllers that can be filtered in the
MIDI 3 and MIDI 4 pages are set to MIDI control changes,
filtering will be performed for these control changes. In this
case, any control change filtering that is being performed in
the MIDI 1 and MIDI 2 pages will be given priority. Further-
more, if the same control change is assigned to multiple con-
trollers for which there are filter settings in the MIDI 3 and 4
pages, checking any one of these will enable that control
change.
Off (Unchecked):
Reception of MIDI data is disabled.
3–1: MIDI 1 1–8
(MIDI Filter –1 T01–08)
3–2: MIDI 1 9–16
(MIDI Filter –1 T09–16)
3–1(2)a: Enable Program Change, Enable After Touch,
Enable Damper, Enable Portamento SW
Enable Program Change [Off, On]
Specifies whether or not MIDI program change messages
will be received.
Enable After Touch [Off, On]
Specifies whether or not MIDI after touch messages will be
received.
Enable Damper [Off, On]
Specifies whether or not MIDI control message CC#64 Hold
(damper pedal) will be received.
Enable Portamento SW [Off, On]
Specifies whether or not MIDI control message CC#65 Porta-
mento On/Off will be received.
3–3: MIDI 2 1–8
(MIDI Filter –2 T01–08)
3–4: MIDI 2 9–16
(MIDI Filter –2 T09–16)
3–3(4)a: Enable JS X as AMS, Enable JS+Y,
Enable JS-Y, Enable Ribbon
Enable JS X as AMS [Off, On]
Allow incoming MIDI pitch bend messages (the X-axis of
the TRITON STUDIO’s joystick) to control the AMS
(
☞p.242) that is specified for JS X. (This is not a reception fil-
ter for MIDI pitch bend messages.)
Enable JS+Y [Off, On]
Specifies whether or not MIDI control message CC#1 (the +Y
axis of the TRITON STUDIO’s joystick, or assigned to B-
mode of the REALTIME CONTROL knobs [1]–[4]) will be
received.
Enable JS-Y [Off, On]
Specifies whether or not MIDI control message CC#2 (the –Y
axis of the TRITON STUDIO’s joystick, or assigned to B-mode
of the REALTIME CONTROL knobs [1]–[4]) will be received.
Enable Ribbon [Off, On]
Specifies whether or not MIDI control message CC#16 (the
TRITON STUDIO’s ribbon controller, or assigned to B-mode
of the REALTIME CONTROL knobs [1]–[4]) will be received.
3–5: MIDI 3 1–8
(MIDI Filter –3 T01–08)
3–6: MIDI 3 9–16
(MIDI Filter –3 T09–16
)
Here you can specify whether the A and B-mode effects of
the REALTIME CONTROL knobs [1]–[4] will be transmitted
and received. The A-mode MIDI controller messages for
each knob are fixed. The B-mode messages can be set in P4:
Zone/Ctrl, Controller page.
Sequencer P3: MIDI Filter
0–1
0–1a
3–1a
0–1b
0–3a
0–1
0–1a
3–3a
0–1b
0–3a
0–1
0–1a
3–5a
0–1b
0–3a