Sequencer p7: arpeggiator, 7–1: setup 1–8 (setup t01–08), 7–2: setup 9–16 (setup t09–16) – KORG Triton Studio User Manual

Page 92: 7–1: setup 1–8, Assign an arpeggiator to each track, 7–2: setup 9–16

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81

Sequencer

P0

P1

P2

P3

P4

P5

P6

P7

P8

P9

Here you can specify how the arpeggiator will operate in
Sequencer mode. These settings can be made for each song.
In Sequencer mode (as in Combination mode), you can run
the two arpeggiators simultaneously. This allows you to
apply different arpeggio patterns to two sounds that have
been split across the keyboard, or use velocity to switch
between two different arpeggio patterns, etc.
In Sequencer mode, the musical data generated by the
arpeggiator during song track or pattern realtime-recording
can be recorded. While you record, you can modify the
arpeggio pattern and parameters, and adjust the [GATE]
knob and [VELOCITY] knob etc.

It is not possible to set the tempo of the arpeggiator and
the sequencer independently.

When “MIDI Clock” (Global P1: 1–1a) is Internal, the
arpeggiator can be synchronized to the internal sequencer.
(

☞BG p.138)

• When you turn on the arpeggiator and press the

SEQUENCER [START/STOP] key, the arpeggiator will
synchronize to the timing of the sequencer.

• When you press the SEQUENCER [START/STOP] key,

the arpeggiator and sequencer will both stop. If you
wish to stop only the arpeggiator, press the
ARPEGGIATOR [ON/OFF] key to turn off.

When the arpeggiator “Key Sync” is off, you can turn on
the ARPEGGIATOR [ON/OFF] key and play the keyboard
to start the arpeggiator running during the pre-count before
realtime recording begins, so that the arpeggiator perfor-
mance will be recorded from the beginning of the pattern at
the same time that recording begins.

When “MIDI Clock” is External MIDI or External
mLAN

, the MIDI realtime clock messages transmitted

from the external MIDI device connected to MIDI IN or
the mLAN connector can perform the same type of con-
trol.
Even in this case, you can start/stop using the
SEQUENCER [START/STOP] key of the TRITON STU-
DIO’s sequencer.

7–1: Setup 1–8

(Setup T01–08)

7–2: Setup 9–16

(Setup T09–16

)

7–1(2)a: Arpeggiator Assign, Arpeggiator Run A, B

Arpeggiator Assign

[Off, A, B]

This assigns arpeggiator A or arpeggiator B to each track 1–
8, 9–16. When the ARPEGGIATOR [ON/OFF] key is turned
on, the arpeggiator specified for each track will run, subject
to the “Arpeggiator Run A, B” settings and setting here.

Off:

The arpeggiator will not operate.

A:

Arpeggiator A will operate. Use the Arpeggiator A page

to select the arpeggio pattern and set the parameters.
B:

Arpeggiator B will operate. Use the Arpeggiator B page to

select the arpeggio pattern and set the parameters.

For tracks that you wish to realtime-record, select either
arpeggiator A or B. If you specify an arpeggiator for two or
more tracks, the arpeggiator will play each of the tracks you
specify.
You can set A and B to two different MIDI channels, and
control one from the keyboard and the other from an exter-
nal MIDI device connected to MIDI IN. You can also use
multi-track recording (Multi REC) to simultaneously record
the note data that is generated from the two arpeggiators.

Example 1)

On tracks 1 and 2, set “MIDI Channel” (2–1a) to 01 and
Status” (2–1a) to INT. Assign arpeggiator A to track 1
and arpeggiator B to track 2, and check “Arpeggiator
Run A, B

” (7–1a). In “Track Select,” choose Track01.

With the ARPEGGIATOR [ON/OFF] key OFF, play the
keyboard and tracks 1 and 2 will sound simultaneously.
When you turn on the ARPEGGIATOR [ON/OFF] key
and play the keyboard, arpeggiator A will operate for
track 1 and arpeggiator B will operate for track 2.

Example 2)

For tracks 1, 2 and 3, set the “MIDI Channel” (2–1a) to
01

, 02, and 03 respectively, and set “Status” (2–1a) to INT.

Assign arpeggiator A to tracks 1 and 2, and arpeggiator B
to track 3. Check the “Arpeggiator Run A, B” (7–1a) set-
ting.

• In “Track Select,” choose Track01.

Playing the keyboard when the ARPEGGIATOR [ON/
OFF] key is off will play the sound assigned to track 1.
Playing the keyboard when the ARPEGGIATOR [ON/
OFF] key is on will cause arpeggiator A to operate for
tracks 1 and 2, and produce sound for both tracks.

• In “Track Select,” choose Track02.

Playing the keyboard when the ARPEGGIATOR [ON/
OFF] key is off will play the sound assigned to track 2.
Playing the keyboard when the ARPEGGIATOR [ON/
OFF] key is on will cause arpeggiator A to operate for
tracks 1 and 2, and produce sound for both tracks.

• In “Track Select,” choose Track03.

Playing the keyboard when the ARPEGGIATOR [ON/
OFF] key is off will play the sound assigned to track 3.
Playing the keyboard when the ARPEGGIATOR [ON/
OFF] key is on will cause arpeggiator B to operate for
track 3, and play the sound assigned to track 3.

Sequencer P7: Arpeggiator

7–1

0–1b

7–1a

5–1b

0–1a

Track2

MIDI Ch=1ch Status=INT

Arpeggiator

A

Arpeggiator

B

Arpeggiator
Assign

A

B

Pattern - A

Pattern - B

Pattern - A

Pattern - B

Trigger
= Ch1

Trigger
= Ch1

Track1

MIDI Ch=1ch Status=INT

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